Lewitt LCT 140 Air
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Manufacturer Information
Lewitt
https://www.lewitt-audio.com
info@lewitt-audio.com
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LEWITT GmbH
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A "Two Mics in One" Approach in the LCT Range
The Lewitt LCT 140 AIR stands out with a simple philosophy: to offer, within the same small-diaphragm microphone, two complementary sound profiles without relying on post-production equalization. The AIR mode provides a more open and sparkling character, while the FLAT mode favors a linear and realistic reproduction. This dual identity makes it a very versatile choice in any microphone collection, whether you seek a sound that's already "mix-ready" or a faithful capture to work on later.
Intended Uses and Musicians
Designed for recordings that demand precision, the LCT 140 AIR excels on acoustic guitar, strings, choirs, and percussions, as well as on drum overheads when you want to capture cymbal definition without losing the warmth of the kit. In home studios, its AIR mode can quickly add presence to a somewhat dark instrument, while the FLAT mode is perfect for natural recordings, dense arrangements, and multi-mic setups where tonal balance must remain neutral.
Key Features: Adapt the Capture to the Mix, Not the Other Way Around
AIR or FLAT Mode: Choose the Tone at the Source
The switchable preset EQ selector lets you toggle between an open and bright sound (AIR) and a straighter response (FLAT). This is especially useful for deciding at the recording stage whether to emphasize string brightness and harmonics or to preserve the sound "as is" for maximum realism.
Pad and Filter: More Control in Real-World Conditions
The switchable pre-attenuation helps manage loud sources (snare drum, close percussion, brass, distant amps), while the 80 Hz low-cut filter cleans up vibrations, handling noise, or proximity effect, all while maintaining controlled bass in the mix.
Technical specifications
| Frequency response | 20 Hz - 20 kHz |
| Category | studio microphone |
| Directivity | cardioid |
| Connection | XLR |
| Color | Black |
| Polar pattern | cardioid |
| Dynamic range | 115 dB |
| Maximum sound pressure level | 135 dB |
| Switchable preset EQ | Flat / Air |
| Switchable pre-attenuation | 0 dB / 12 dB |
| Switchable low-cut filter | linear or 80 Hz with 12 dB/octave slope |
Questions frequently asked
What is the difference between the AIR and FLAT modes?
The switchable EQ selector offers an AIR mode, producing a more open and bright sound, and a FLAT mode with a more linear response. This selection allows to tailor the tonal color right at the source.
Is this microphone suitable for acoustic guitar?
Its cardioid polar pattern and frequency response from 20 Hz to 20 kHz are suitable for acoustic guitar recording. The AIR mode emphasizes the harmonics of the strings more. The FLAT mode provides a more neutral reproduction for further processing.
Is the Lewitt LCT 140 Air suitable as drum overhead microphones?
With a maximum sound pressure level of 135 dB and a switchable pad of 0 or 12 dB, this microphone can be used as overheads to capture the definition of cymbals.
What type of connector does the Lewitt LCT 140 Air use?
The output is via an XLR connector. This format corresponds to the connections used with preamps and audio interfaces equipped with XLR inputs.
Is the 80 Hz filter useful on this microphone?
A switchable 80 Hz filter with a 12 dB per octave slope reduces vibrations, handling noise, and proximity effect. The linear position leaves the low-frequency response unfiltered.
