Lewitt LCT 040
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Lewitt
https://www.lewitt-audio.com
info@lewitt-audio.com
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LEWITT GmbH
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A Must-Have in the LCT Series for Efficient Instrument Recordings
The Lewitt LCT 040 MATCH fits the spirit of the LCT range: offering a studio-oriented microphone that is immediate to use and delivers a "ready-to-record" sound. With its focus on clarity and musicality, this model targets instrument recordings where a clean result is desired from the first take, without spending hours on corrections. The MATCH designation refers to coherence designed for stereo work and multi-mic setups, to maintain a stable and credible image when precision matters.
Who It's For and Studio Applications
This small diaphragm condenser microphone is especially suited if you record acoustic instruments and want detailed reproduction with a clear attack. On acoustic guitar, it helps achieve a defined sound that naturally cuts through the mix while preserving the instrument's character. It is also very suitable for percussion recordings (shaker, tambourine, cajon), certain string sources, understated overheads in home studios, or close ambiance capture when precision is prioritized.
The cardioid polar pattern allows better control of room sound and bleed, which is a real advantage in a bedroom, rehearsal space, or untreated studio. In close miking, you gain clarity and separation while maintaining a natural feel if placement is carefully done.
Design Focused on Precision: Transients, Definition, and Control
Small Diaphragm Capsule: Speed and Clarity
The LCT 040 MATCH relies on a small diaphragm capsule to emphasize speed and transient fidelity. Practically, pick attacks, playing nuances, and micro-dynamics stand out more clearly, facilitating equalization and compression afterward. This "clean and defined" signature is often sought after on acoustic instruments, where detail is desired without hardening the timbre.
Cardioid: Focus on the Source, Easier Mixing
With its cardioid polar pattern, this microphone concentrates the capture on your target while reducing rear pickup. The result: less unwanted room sound, a more usable recording, and a more natural place in the arrangement. It is a relevant choice for mono recordings but also for coherent stereo approaches when using two similar microphones and aiming to preserve left-right balance.
Level Handling: SPL and Sensitivity
The microphone handles a max SPL of 135 dB, allowing you to approach more energetic sources without fear, provided you maintain a clean gain chain. Its sensitivity of 18.8 mV/Pa makes it easier to achieve a good level without excessively pushing the preamp, a useful point in home studios. With a dynamic range of 115 dB (A), you have room to go from subtle playing to more forceful passages while maintaining a stable sound.
Phantom Power: Immediate Integration
The LCT 040 MATCH requires +48 V phantom power. It naturally integrates with an audio interface, console, or mic preamp providing +48 V. To optimize results, favor precise placement (aiming toward the useful area of the instrument) and an appropriate distance to your room to balance detail and ambiance.
Technical specifications
| Frequency response | 20 Hz - 20 kHz |
| Category | studio microphone |
| Directivity | cardioid |
| Connection | XLR |
| Color | Black |
| Type | Small diaphragm condenser microphone |
| Polar pattern | Cardioid |
| Max SPL | 135 dB |
| Sensitivity | 18.8 mV/Pa |
| Dynamic range | 115 dB (A) |
| Dimensions | 24 x 83 mm |
| Weight | 44.6 g |
Questions frequently asked
Does the Lewitt LCT 040 require phantom power?
48 V phantom power is necessary for this condenser microphone to operate. The connection is made via XLR to an audio interface, mixing console, or preamp equipped with this power supply.
Is this microphone suitable for recording an acoustic guitar?
Its small-diaphragm capsule highlights pick attacks and playing nuances. The cardioid pattern helps maintain a defined capture by limiting bleed from the rear.
What is the maximum sound pressure level this microphone can handle?
The maximum SPL reaches 135 dB, allowing the capture of energetic instrumental sources when the gain staging is set correctly.
Can the LCT 040 be used as a drum overhead microphone?
It can be used as a modest overhead, particularly in a home studio. Its frequency response from 20 Hz to 20 kHz and dynamic range of 115 dB(A) enable it to capture transients and level variations. The cardioid pattern aids in controlling room ambience.
What are the microphone’s dimensions and weight?
Its size measures 24 x 83 mm with a weight of 44.6 g. This compact design facilitates placement near an acoustic guitar, percussion, or strings.



