Meinl 16" BYZANCE VINTAGE TRASH CRASH
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Information
Information
Manufacturer Information
Meinl
https://www.ortegaguitars.com
info@ortegaguitars.com
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SAICO SAS
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Historical Context and Positioning in the Range
Trash-type cymbals emerged to meet a simple need: to achieve a more aggressive, noisier, and shorter accent than a traditional crash. The cuts and irregularities on the edge deliberately break the vibration, resulting in that much sought-after blend of grain, noise, and character. Within a range, this type of cymbal generally serves as an additional color, complementing a classic set to enrich the sonic palette with more instantaneous attacks and faster decay.
Target Audience for This Drum/Instrument
This cymbal is aimed at intermediate to advanced drummers and percussionists who want a distinctive sonic signature while maintaining easy control over volume and duration. It is particularly suitable for contexts where short accents and well-defined rhythmic punctuations are sought: Pop, Fusion, Jazz, Funk, RNB, Reggae, Studio, World, and Electro. Whether in an acoustic ensemble or an amplified setup, it adds a dirtier, more expressive texture without overloading the arrangement.
Features and Innovations
The main feature lies in the different sizes and shapes of the edges : these cuts alter the way the cymbal vibrates by introducing turbulence and micro-breaks in the wave. The result is a trash and noisy sound with a quick response and a shorter decay than a standard crash. Its low pitch and dark timbre favor thick, textured accents, while the sandblasted finish enhances the dry feel and limits excessive brightness, useful for maintaining a clean space in the spectrum, especially in the studio.
Sound
Thanks to its B20 alloy, this cymbal offers natural harmonic complexity, with a richer background and a more organic color than simpler alloys. Combined with a thin weight, this provides immediate vibration: the cymbal "speaks" quickly, responds easily to nuances, and allows for fast accents without forcing.
Its sound profile is designed to remain controllable: dark timbre, vintage and dry character, medium to low volume, and short sustain. The cuts contribute to a noisier, grainier effect that pairs very well with ghost notes, syncopated patterns, and modern arrangements. In Electro or World contexts, it brings a "lo-fi" and expressive texture; in Pop, Funk, or Fusion, it serves as a clear punctuation that does not mask vocals or harmonic instruments.
Technical specifications
| Timbre | dark | Sustain | short |
| Character | vintage, dry | Weight | thin |
| Pitch | low | Finish | sandblasted |
| Volume | medium to low | Material | B20 |
Questions frequently asked
What sound does the Meinl Crash Byzance 16" Trash produce?
Its B20 alloy and thin weight deliver an immediate response, with a low pitch and dark timbre. The cutouts add a noisy grain, while the sustain remains short.
Is this 16-inch trash crash suitable for studio use?
The sandblasted finish and medium to low volume favor dry accents that occupy little space in the spectrum. This setup is suited for rhythmic punctuations in studio arrangements.
What sound difference do the cutouts bring?
Edges of various shapes and sizes create micro breaks in the vibration. This results in a louder attack and faster decay than a standard crash. The vintage and dry character is thus enhanced.
For which styles is a dark trash crash best used?
This model is suitable for Pop, Fusion, Jazz, Funk, RNB, Reggae, World, and Electro contexts. Its medium to low volume allows adding textured accents without overloading the arrangement.
Is the Meinl Byzance Trash 16" easy to elicit response from?
Thanks to its thin weight, the cymbal vibrates easily and responds to nuances without needing to be struck hard.



