Moseler EUROPA CANTAT 8
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
Moseler
https://www.schott-music.com
info@schott-music.com
------------------------
Safety manager:
Hal Leonard Europe BV
Email:
Address:
Summary of This Score
This collection offers a rich selection of vocal pieces designed for choir work, with a significant emphasis on canons (marked "Kanon") and short songs that promote the development of listening, intonation, and phrasing. It includes notable repertoire pages (John Dowland, Henry Purcell, Michael Praetorius, Zoltan Kodaly, Benjamin Britten) alongside traditional songs and pieces from diverse cultures, to vary aesthetics both in rehearsal and in concert. The table of contents notably includes "When Jesus Wept," "Come Ye Sons of Art," "Fine Knacks for Ladies," "Lobet den Herren," as well as a set of songs by Jos van den Borre ("Die Winter is Vergangen," "Szakura," "Dobru noc"...). An excellent resource for building contrasting programs, progressively working on polyphony, and developing ensemble cohesion through canons.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Collective (various composers) | Instrumentation | Voices (choral singing, canons) |
| Arrangers | Jos van den Borre, Martin Gent, Erwin List, Manu Poiré (edition) | ||
Questions frequently asked
Does Europa Cantat 8 include canons for choir?
The collection places significant emphasis on canons, marked by the term "Kanon", to work on collective listening, intonation, and phrasing.
Which composers are featured in Europa Cantat 8?
The selection notably includes pieces by John Dowland, Henry Purcell, Michael Praetorius, Zoltan Kodaly, and Benjamin Britten. Traditional songs and pieces from various cultures complete the program. Several titles are by Jos van den Borre, including "Die winter is vergangen", "Szakura", and "Dobru noc".
What vocal parts are specified in this score?
The indicated instrumentation is voice, within the framework of choral singing and canons.
Which well-known titles are included in this choral collection?
Among the announced titles are "When Jesus wept", "Come ye sons of art", "Fine knacks for ladies", and "Lobet den Herren".
Does this score allow for creating a concert program with varied contrast?
Thanks to the inclusion of works by Dowland, Purcell, and Britten, combined with traditional songs, it is possible to vary aesthetics within a single program. The canons also allow for a progressive approach to polyphony during rehearsals.
