Neumann MCM 114 Set High Strings

Neumann MCM: the clip-on microphone system that redefines the standard on stage

With the MCM (Miniature Clip Mic) system, Neumann transfers its studio standards to a miniature format designed for the stage. The goal is clear: to achieve a natural sound, stable from one setup to another, while gaining practicality during stage changes. The MCM philosophy is based on a modular construction and a family of mounting accessories dedicated to different instruments, ensuring consistent positioning, reliable mounting, and long durability under real conditions.

For whom and for what: violin, viola, mandolin... and all similar instruments

The Neumann MCM 114 SET HIGH STRINGS is designed for musicians and technicians seeking a clean and controllable close miking of string instruments. It is particularly suitable for live contexts (concerts, theater, orchestra pit, TV studio, events), when bleed must be limited, levels secured, and a credible timbre maintained without relying on a stand microphone placement. Thanks to its cardioid capsule and mounting close to the soundboard, this set helps achieve a consistent signal even when the musician moves or changes orientation.

Design and performance: Neumann precision in miniature format

KK 14 Capsule: tonal balance, coherence, and high headroom

At the heart of this set, the cardioid KK 14 capsule aims for a balanced sound, with more body in the lows and low-mids and good transparency in the highs. Neumann emphasizes the coherence from capsule to capsule, a valuable asset when multiple microphones are used simultaneously (string sections, doubling, instrument alternation): setup is faster and EQ becomes more predictable. The microphone features a low self-noise and a very high max SPL, making it comfortable on highly dynamic instruments as well as delicate passages.

MC 1 Mount and SH 150 Gooseneck: reproducible placement, quick adjustments

The MC 1 clip and SH 150 gooseneck are designed for reliable mounting, with precise positioning close to the source. The system facilitates fine adjustments to find the best compromise between bow attack, projection, warmth, and bleed level. In practice, this is a real advantage to maintain a consistent tone from one piece to another while respecting the sensitive surfaces of the instruments.

MCM 100 Output Stage: simple XLR integration

The set includes the MCM 100 output stage, intended for high-quality wired use, with a 3-pin XLR female output and 48 V phantom power. This configuration integrates naturally with mixing consoles and stage preamps while maintaining a clean and robust audio chain.

Robustness and accessories: designed for the road

The WS 110 windscreen helps secure the capture against air movements and stage motion. The KC 1 cable reinforcement improves durability and limits mechanical stress at sensitive points. Finally, the set is delivered in a practical soft case for transport, stage preparation, and storage between performances.

Technical specifications

Frequency response - start	20 Hz	Capsule	Condenser
Frequency response - end	20 kHz	Connection	XLR
Category	instrument microphone	Color	Black
Directivity	cardioid

Acoustic operating principle	pressure gradient transducer	Max SPL (6) for THD < 0.5%	153 dB SPL
Polar pattern	cardioid	Power supply	48 V +/- 4 V (P48, IEC 61938)
Frequency response	20 Hz to 20 kHz	Current consumption	3.5 mA
Nominal impedance	50 ohms	Required connectors	3-pin XLR female
Nominal load impedance	1000 ohms	Permissible atmospheric conditions (1)	values valid for non-condensing humidity
Signal-to-noise ratio (4), CCIR (5)	63 dB	Operating temperature	0 degC to +40 degC
Signal-to-noise ratio (4), A-weighted (5)	71 dB	Operating humidity	0% to 90% relative humidity
Equivalent noise level, CCIR (5)	31 dB	Storage temperature	-20 degC to +70 degC
Equivalent noise level, A-weighted (5)	23 dB-A	Storage humidity	0% to 95% relative humidity