Neumann U67
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Neumann
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The Return of a Studio Icon
Launched in 1960 as the successor to the legendary U 47, the Neumann U 67 established itself as a new studio standard thanks to its versatility and a sound character that is both smooth and present. This reissue preserves the philosophy and engineering of the era, from the K 67 capsule to the tube circuit and dedicated power supply, to recapture the sonic DNA that shaped decades of recordings.For Whom and For What?
Designed for demanding engineers, producers, and studios seeking a high-end "Swiss Army knife" microphone, the U 67 excels on vocals, string ensembles, brass, overheads, ambiences, and amps. Its midrange handling, silky high end, and controlled low end make it a "desert island" choice for creating consistent and musical takes in any context.Key Features Serving the Sound
The U 67 combines a large diaphragm with the K 67 capsule featuring a pressure gradient transducer. The tube circuit benefits from pre-emphasis/de-emphasis processing that reduces noise while preserving a natural high-frequency response. The high-pass filter effectively compensates for proximity effect in close miking, while the pad protects the signal chain from intense sources without sacrificing the harmonic texture typical of tube microphones.Immediate Versatility
The three switchable polar patterns allow adaptation of the capture to the room and source: omni for an open image, cardioid for isolation and presence, figure-eight for duo recordings or Mid/Side technique. With an extended frequency response from 20 Hz to 20 kHz and a comfortable headroom, the U 67 maintains its natural sound where other microphones tend to harden.Technical specifications
| Frequency response | 20 Hz - 20 kHz |
| Category | studio microphone |
| Directivity | omnidirectional, cardioid, bidirectional |
| Capsule | Large Diaphragm |
| Connection | XLR |
| Color | Grey |
| Type | Large diaphragm tube microphone |
| Acoustic operating principle | pressure gradient transducer |
| Switchable directional characteristics | omnidirectional, cardioid, figure-eight |
| Maximum sound pressure level | 124 dB with total harmonic distortion under 0.5% with attenuator engaged |
| Nominal impedance | 200 Ohms |
| Nominal load impedance | 1 kOhm |
| Dimensions | 200 x 56 mm (length x diameter) |
| Weight | 560 g |
Questions frequently asked
What polar patterns are available on the Neumann U67?
The three switchable polar patterns are omnidirectional, cardioid, and figure-eight. The figure-eight pattern is especially suitable for duet recordings and Mid/Side techniques.
Is this microphone suitable for recording vocals?
Thanks to its large-diaphragm K 67 capsule and tube circuitry, this model is designed for vocal recording. The high frequencies are described as silky, with a present midrange. The low-cut filter helps to compensate for the proximity effect when recording close-up.
What sound pressure level can the U67 handle?
With the attenuator engaged, the limit reaches 124 dB SPL with total harmonic distortion below 0.5%.
Is the low-cut filter useful for close miking?
The low-cut filter compensates for the proximity effect when recording near the source. This feature allows control of the bass without changing the selected polar pattern.
What connectors and power supply are used?
The output uses an XLR connection with a nominal impedance of 200 ohms. A dedicated power supply is part of the tube-based architecture described for this microphone.



