Orange Amps Terror Stamp
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The Essentials to Know About the Orange Terror Stamp Pedal
The Essentials to Know About the Orange Terror Stamp Pedal
- A true Orange amp on your pedalboard : ECC83/12AX7 tube preamp + 20-watt transistor power amp to go from clean to heavy crunch.
- Two footswitchable master volumes : one rhythm level and one solo level, without changing your settings.
- Ultra versatile : 8/16 ohm speaker outputs, buffered effects loop, and CabSim headphone output for playing, recording, or rehearsing.
- Mini format, big sound : a "pocket monster" designed for light travel while staying stage-ready.
Manufacturer Information
Orange Amps
https://www.orangeamps.com
info@omec.com
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Safety manager:
HIGH TECH DISTRIBUTION
Email: pro@htd.fr
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From the Terror series to the "pocket monster" for pedalboards
For years, Orange's Terror philosophy has proven that a compact format can deliver massive sound. The Terror Stamp carries the DNA of the Micro Terror and Micro Dark but translates it into a pedal format, ready to integrate at the heart of a pedalboard. The idea is simple: to regain the Orange tone and amp-like playing feel while keeping a modern and practical effects chain.
For which guitarists and usage contexts?
The Orange Terror Stamp is aimed at guitarists who want an all-in-one solution to play through a speaker cabinet, go to rehearsals with a backpack, or have a reliable "plan B" for gigs. It's also very suitable for home studios: you can build your sound with your favorite pedals (drive, delay, reverb, modulation) and then feed the Stamp as if it were a real amp head.
In terms of styles, it excels whenever character is sought: energetic blues rock, rock and hard rock, punk, stoner, light to moderate metal, but also more open sounds if you keep it clean and let your effects create the atmosphere.
Controls, routing, and key features
The interface remains true to Orange's simplicity: Gain to adjust saturation, Shape to sculpt the tonal balance (more mids on one side, a more "scooped" and modern sound on the other), and Volume 1 / Volume 2 to manage two output levels. The footswitchable master volume lets you cut through the mix for leads or switch from an "apartment" setting to a "rehearsal" setting with one click.
The buffered effects loop (Send/Return) is ideal for placing delays, reverbs, and modulations after distortion, with an impedance matched to preserve attack and clarity, even with long cables or true bypass pedals. Powerful tip: by plugging directly into the FX Return, the Terror Stamp can serve as a 20-watt power amp for an external preamp, a preamp pedal, or a modeler.
Finally, the CabSim headphone output adds a true "plug and play" dimension: convenient for silent practice, quick recording, or sending a 4x12 cab-simulated signal to a PA system, all while maintaining an immediate playing feel thanks to a fully analog design.
The sound
The Terror Stamp delivers a typically Orange grain: lively mids, sharp attack, and harmonically rich saturation when pushing the Gain. In clean mode, it remains dynamic and responsive to touch, perfect for nuanced playing or as a base for an effects-oriented pedalboard. The Shape control acts like a quick "voicing": it lets you switch from a thicker, fuller sound to a more modern signature, ideal for sharper rhythm parts.
It's also designed for musicians on the move: guitarists like Joe Perry, Orianthi, and Laura Cox have integrated it into their rigs, proving that this pedal format can be a credible solution from studio to stage.
Technical specifications
| Category | electric preamp | EQ | 3-band + presence |
| Technology | Hybrid | Headphone output | Yes |
| Format | Pedal | Color | White |
| Effects loop | Yes | Power output | 20 W |
| Pre-amp tubes | 12AX7, ECC83 | ||
| Power | 20 watts | Dimensions (cm) | 6.1 x 13.4 x 9.9 |
| Design | fully analog hybrid (tube preamp + transistor power amp) | Weight | 0.38 kg |
| Preamp tube | 1 x ECC83 / 12AX7 | Required power supply | 15V DC |
| Power amp | Class AB transistor | Current required | 2000 mA |
| Controls | Volume 1, Volume 2, Shape, Gain | Polarity | center positive |
| Master volume | footswitchable (two volume levels) | Connector | 2.1mm |
| Speaker outputs | 8 ohms / 16 ohms | ||
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Customer reviews
Based on 3 reviews
- 5 stars, 3 reviews
- 4 stars, 0 reviews
- 3 stars, 0 reviews
- 2 stars, 0 reviews
- 1 star, 0 reviews
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Stunning pedal board amp. Already owning the latest Yamaha THR 30, I was looking for a platform to build a pedal board with the minimum of space at home. With its ECC83 lamp, its loop effect and its mini format my choice fell on the Terror Stamp. I am very happy with my choice, it is beautiful on my new pedalboard and limits the cables that hang around. I like the clean sound, crystalline and warm with the gain at 3.8 it very well restores the character of my ES 335 and my PRS Standard. With these settings it\'s a great platform for pedals. I think the crunch sound is its strong point. With the shape a little to the right you can easily get Classic Rock and Grunge sounds. For High Gain it's a bit more complicated, it has a tendency to veer towards Fuzzy. However, you can work on the sound with the volume and tone of the guitar and by lowering the gain a bit to get something not too bad. But the best solution in my opinion for high gain is to boost it with an overdrive. By then adjusting a little with the tone of the pedal it becomes great! I recommend this amp to anyone who wants to open up to the world of pedalboards with the minimum of space at home but also for the stage.
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Stunning pedal board amp. Already owning the latest Yamaha THR 30, I was looking for a platform to build a pedal board with the minimum of space at home. With its ECC83 lamp, its loop effect and its mini format my choice fell on the Terror Stamp. I am very happy with my choice, it is beautiful on my new pedalboard and limits the cables that hang around. I like the clean sound, crystalline and warm with the gain at 3.8 it very well restores the character of my ES 335 and my PRS Standard. With these settings it is an excellent platform for pedals. I think the crunch sound is its strong point. With the shape a little to the right you can easily get Classic Rock and Grunge sounds. For High Gain it's a bit more complicated, it has a tendency to veer towards Fuzzy. However, you can work on the sound with the volume and tone of the guitar and by lowering the gain a bit to get something not too bad. But the best solution in my opinion for high gain is to boost it with an overdrive. By then adjusting a little with the tone of the pedal it becomes great! I recommend this amp to anyone who wants to open up to the world of pedalboards with the minimum of space at home but also for the stage.
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I love it, clear, snapping sound and orange distortion as we like them:)
an improvement to be expected: 2 channels to be able to switch clear sound -> distortion soundAutomatically translated
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Questions frequently asked
Can the Orange Terror Stamp power a guitar cabinet?
The Class AB power section delivers 20 watts and connects to an 8 or 16 ohm speaker cabinet. The speaker outputs are designed for these two impedances.
Is it possible to play with headphones using this Orange pedal?
A headphone output with analog CabSim is built in. It applies a 4x12 speaker cabinet emulation for silent practice or quick recording.
How to use the effects loop on the Terror Stamp?
The buffered Send/Return loop allows placing delay, reverb, or modulation effects after the preamp distortion. The FX Return input can also receive an external preamp or modeler and use the pedal as a 20-watt power amp. This setup directly uses the transistor power amplifier.
What power supply is required for the Terror Stamp?
The required power supply is 15 V DC, 2000 mA, with center positive polarity and a 2.1 mm connector.
Is the sound suitable for rock and distortion?
The hybrid preamp employs an ECC83/12AX7 tube and offers a Gain control to adjust the distortion level. The Shape control allows shifting from more prominent mids to a scoopier response, particularly suited to rock, hard rock, punk, or stoner.
