Paiste RIDE MASTERS COLLECTION 22 DARK CRASH
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Information
Information
Manufacturer Information
Paiste
info-pag@paiste.com
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GEWA music GmbH
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Historical Context and Positioning in the Range
The Masters series was born from an ambitious project: an initial assembly of twelve rides, each carefully crafted from CuSn20 bronze to achieve high sonic ideals suited to many musical contexts. In 2014, the range expanded with three crashes and two hi-hats to extend this unique sonic atmosphere to other cymbal families. The Masters synthesize decades of cymbal-making expertise, inspired by international drummers, with a clear demand: to offer a refined, expressive, and immediately recognizable sound signature.
Target Audience for This Drum/Instrument
This Masters series Crash Ride is aimed at intermediate to expert drummers seeking a cymbal more "interactive" than a standard model: sensitive response, nuanced touch, and a wide palette of colors. It excels in styles where dynamics are key (modern jazz, fusion, sophisticated pop, indie, cinematic music), while remaining relevant in rock when a darker, deeper, and less "bright" sound than a projection-type cymbal is preferred.
Features and Innovations
The Crash/Ride Mix concept is central to its positioning: a cymbal capable of easy crashing with a quick swell, while offering ride definition usable as soon as the tempo is established on top. Its thin profile promotes immediate vibration, helping to play at low volume without losing body, and to achieve rich accents without effort. In a kit, it can become the "central" cymbal: the one chosen when transitioning from a groove on the ride to a chorus crash without changing the playing area or breaking the flow.
Sound Characteristics
The CuSn20 bronze, often associated with "traditional bronze," is prized for its harmonic complexity and ability to generate rich harmonics with natural depth. Here, this material contributes to a dark color, a present but not aggressive attack, and a very wide spectrum: round fundamentals, expressive mids, and clear highs.
The "thin, dark, penetrating" character results in a cymbal that speaks quickly and "breathes" under the stick. When crashed, it delivers a wide, musical opening with a progressive harmonic unfolding. When used as a ride, the definition remains usable while maintaining an enveloping sensation, ideal for coloring a pattern rather than hardening it. The result: a cymbal of texture, nuance, and relief, designed for drummers who care as much about timbre as groove.
Technical specifications
| Alloy | Bronze CuSn20 (traditional bronze) |
| Type | Crash Ride |
| Design | thin |
| Character | dark, penetrating |
| Response | Crash/Ride mix |
| Frequency Range | extremely wide |
| Manufacturing | handmade |
| Country of Manufacture | Switzerland |
| Series | Masters |
| Series Origin | initial assembly of twelve CuSn20 bronze rides |
| Range Extension | addition in 2014 of three crashes and two hi-hats |
| Philosophy | decades of expertise and inspiration from international drummers |
Questions frequently asked
Is the Paiste Masters 22 Dark Crash/Ride suitable for jazz and fusion?
This cymbal is suitable for contexts where dynamics and subtlety are important, especially modern jazz and fusion. Its thin design promotes an immediate response at low volume. The dark tone adds depth to the patterns played on the ride.
What sound does the CuSn20 bronze produce on this crash ride?
The CuSn20 alloy generates rich harmonics and an extremely wide frequency range. The attack remains present without harshness, with round fundamentals and clear highs.
Can it serve as the main ride cymbal in a set?
The Crash/Ride mix allows establishing a tempo on the top while retaining a usable ride definition. The same cymbal can then quickly open into a crash for accents or choruses.
How is this Paiste Masters cymbal made?
The manufacturing is done by hand in Switzerland. The Masters series is based on traditional CuSn20 bronze and originally comes from an assembly of twelve rides.
Is the Paiste Masters 22 Dark Crash/Ride suitable for rock?
Its dark and penetrating character can fit into rock when the focus is on a deep timbre rather than a bright one.



