Play Music Publishing Worms Claude - Guitare Gitane & Flamenca + CD Vol. 3 - Guitare Tab
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Play Music Publishing
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Summary of This Method
Already a reference, this book will familiarize you with Gypsy and Flamenco guitar from all angles, emphasizing what defines these styles: the sense of rhythm, the precision of accents, and the understanding of cycles. The method is primarily based on the so-called "a compás" repertoires, meaning those built on fixed metric structures containing one or more obligatory rhythmic accent systems. This compás logic is approached concretely to develop a solid pulse, reliable timing, and authentic musicality, essential both for accompaniment and solo playing.
You will find a path focused on several essential palos, notably soleá, siguiriya, tangos, and fandangos de Huelva, as well as their derivatives. Each style becomes a training ground to work on rhythm, enrich your harmonic vocabulary, build coherent melodic lines, and consolidate the technical gestures indispensable to Flamenco and Gypsy guitar. The CD plays a key role here: it includes all the examples from the book, allowing you to hear nuances, check your rhythmic placement, and gain autonomy in daily practice. An ideal resource for anyone wishing to progress with a structured, musical, and immediately applicable method.
Technical specifications
| Publication | Methods | ||
| Instrumentation | Guitar | Language | French |
| Genre | Flamenco guitar and Gypsy guitar method | ||
Questions frequently asked
Does the method include guitar tablature?
Guitar tablatures are indicated in the title of the book, under the mention "Guitare Tab."
Which flamenco palos are studied in this volume 3?
The work focuses notably on soleá, siguiriya, tangos, and the fandangos de Huelva. Their derivatives are also part of the course. These repertoires serve to approach the rhythmic structures specific to each palo.
What does the CD included with the method contain?
The CD includes all the examples presented in the book. Listening allows for identifying nuances and checking rhythmic placement.
Is this flamenco guitar method in French?
The book is written in French.
How is compás addressed in this method?
Learning is based on "a compás" repertoires, built on fixed metric structures and imposed rhythmic accents. Attention is given to pulse, timing, and the technical gestures of flamenco and Gitano guitar.
