Prima Voce Editions A Voce Editions Gounod Ch. - Philemon Et Baucis Ah ! Si Je Redevenais Belle - Soprano Et Piano
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Summary of This Score
This score corresponds to an excerpt from a 3-act opera: number No. 06: ROMANCE, titled "Ah! If I Were Beautiful Again." Written for BAUCIS (soprano), this romance highlights vocal writing focused on expression and fluidity, with phrasing that encourages careful breath control, register balance, and musicality of the text. It is a relevant piece for working on projection without harshness, precision of French diction, and the ability to convey emotion within a short form.
Thanks to its character as a romance, the aria is suitable both for study in voice lessons and for preparing a stage performance: it allows exploration of character development, intention, and vocal color, while remaining accessible in its format. The libretto by Jules BARBIER and Michel CARRÉ provides a clear theatrical framework, useful for refining articulation, word emphasis, and the coherence of the musical discourse. An essential piece for any soprano wishing to explore a French-language opera excerpt and strengthen fundamental interpretative skills.
Technical specifications
| Musical Genre | Opera | Publication | Sheet music |
| Instrumentation | Voice (soprano) - role: BAUCIS | Language | French |
| Genre | Opera aria (ROMANCE), excerpt from a 3-act opera | ||
Questions frequently asked
Is this sheet music intended for soprano?
The excerpt is written for the role of BAUCIS, with a soprano voice and piano accompaniment.
Which aria from Philemon and Baucis is included in this edition?
This edition includes No. 06, a romance entitled "Ah! si je redevenais belle." The aria is from the 3-act opera Philemon et Baucis by Charles Gounod.
Is the sheet music in French?
The text is in French, with a libretto by Jules Barbier and Michel Carré.
What vocal aspects can be worked on with "Ah! si je redevenais belle"?
The writing of this romance allows for working on breath control and register equalization. French diction as well as projection without harshness are among the targeted areas. The phrasing also supports the theatrical intention work of the role of BAUCIS.
Is piano accompaniment included for the Baucis aria?
The title indicates a version for soprano and piano of this opera excerpt.
