Prodipe SB21 Lanen
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- This item is covered for 3 years
What you need to know
What you need to know
- Natural and warm sound that respects the harmonic envelope of your instrument.
- Very high pressure handling up to 140 dB SPL for powerful playing without distortion.
- Redesigned mounting: fixed rod + flexible part, key noise isolation suspension, and clip adapted to the bell.
- Dual use: wired via mini XLR/XLR adapter (48 V) or UHF with the Prodipe DSP - UHF Bodypack Instrument (sold separately).
Manufacturer Information
Prodipe
https://www.store.ipemusic.com
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Safety manager:
SAS IPE Music
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A Clip Microphone Designed for Stage and Versatility
The SB21 Lanen is part of the "21" series dedicated to live acoustic instrument sound capture. Its electret capsule, designed to handle very high dynamics, offers precise and musical reproduction, faithful to the timbre of saxophones and brass instruments.
For Which Uses and Who?
Ideal for saxophonists, trumpeters, trombonists, or tubists in live performance, rehearsals, or mobile recording. Its quick and stable mounting facilitates instrument changes and suits both brass sections and soloists.
Technical specifications
| Frequency response - start | 50 Hz | Capsule | electret |
| Frequency response - end | 20 kHz | Connection | XLR |
| Category | instrument microphone | Use | French Horn, Tuba, Alto Saxophon, Tenor Saxophone, Trombone, Trumpet |
| Directivity | unidirectional | Color | Black |
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Customer reviews
What customers say
Summarized and selected by AI from recent customer reviews
Customers praised the microphone's sound quality as "clear and natural" with beautiful highs. It performs comparably to traditional microphones at an excellent price point. However, some noted concerns about the thin cable requiring reinforcement and the shockmount being unstable with inadequate handling noise prevention.
Review highlights
- âThe sound was clear and natural without equalization, highs remain beautiful even when playing loudâ
- âSuper sound qualityâ
- âDoes the same job as a traditional microphoneâ
Based on 7 reviews
- 4 stars, 0 reviews
- 2 stars, 0 reviews
- 1 star, 0 reviews
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Hi, I am really not disappointed with my purchase. From the first use the sound was clear and natural without equalisation, both on alto and tenor. The treble in particular stays nice even when playing hard. The fixing clip is (almost too) hard, does not move. The adapter contains a low cut that can be used to reduce shock and key noises (not indicated on the instructions!) , it can be clipped onto the belt, I chose to mount a small carabiner to attach it directly to the sax. Beware of the very thin cable: I followed the advice of a pro, who told me to tape it to the microphone holder and the adapter to avoid accidental tearing. (Wise precaution, the cable got caught once in the saxophone stand!)
In short, happiness at an incredible price.Automatically translated
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At my level it does the same job as a traditional microphone
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Excellent service and delivery.
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Top
Super sound qualityAutomatically translated
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Very suitable.
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Questions frequently asked
Is the Prodipe SB21 Lanen compatible with a tenor saxophone?
This model is suitable for tenor saxophone, as well as alto saxophone, trumpet, trombone, tuba, and French horn. Its rubber clip is designed to fit the bell without leaving marks.
What is the maximum sound pressure level this brass instrument microphone can handle?
The electret capsule accepts a maximum sound pressure level of 140 dB. This capacity accommodates the strong dynamics produced by brass instruments on stage.
Can this clip microphone be connected directly to a mixing console?
The supplied XLR adapter allows wired use on an input requiring 48 V phantom power. The specified impedance is 2.2 kOhms and sensitivity reaches -47 dB ±3 dB at 1 kHz. A wireless connection is also possible with the Prodipe DSP - UHF Bodypack Instrument.
Does the mounting hold well on a trumpet bell?
The mounting combines a fixed rod, a flexible gooseneck, and a rubber clip adapted to the bell. An isolating suspension limits vibrations and mechanical noise.
What directivity is used to reduce bleed on stage?
The unidirectional pattern helps control bleed from other sound sources. The frequency response from 50 Hz to 20 kHz covers the instrument's low end and high harmonics.
