Ricordi DONIZETTI G. - UNA FURTIVA LAGRIMA - CHANT ET PIANO
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Summary of This Score
This score belongs to the category "canto (or voce recit) e pianoforte" and is intended for tenor singers accompanied by pianoforte. Designed for singing practice in an accompaniment setting, it emphasizes the vocal line while relying on a keyboard part that structures the harmony and musical discourse.
The tenor and pianoforte format is particularly relevant for voice lessons, vocal coaching, or rehearsals: the singer can focus on projection, intonation, and articulation, while the accompaniment provides a stable rhythmic and harmonic framework. It is also an excellent tool for learning to breathe musically with the keyboard, anticipate entrances, and build a coherent interpretation as a duo.
Whether approaching this piece as a "canto" (song) or as a recitative-type passage ("voce recit"), this edition meets the essential needs of the voice and piano repertoire: immediate readability, effective setup, and work on expressiveness. A reliable choice to enrich a vocal music program and refine the relationship between sung text and keyboard accompaniment.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | tenor and pianoforte | ||
Questions frequently asked
Is this score of Una furtiva lagrima written for tenor?
The edition is indicated for tenor and pianoforte, with a vocal line designed for accompanied singing practice.
What accompaniment is provided in this Ricordi edition of Donizetti?
The pianoforte part provides the harmonic and rhythmic framework of the aria. It allows working on the entrances with the singer. The writing is intended for a voice-keyboard duo performance.
Is Una furtiva lagrima Ricordi suitable for singing lessons?
This score is suitable for singing lessons, vocal coaching, and rehearsals. The tenor and pianoforte format allows focusing on projection, intonation, and articulation with accompaniment.
What is the musical genre of this tenor score?
The indicated musical genre is classical. The work belongs to the voice and pianoforte repertoire.
Can the recitative be practiced with this Donizetti score?
The description mentions a “canto” or “voce recit” type approach. Thus, the material allows working on the relationship between the sung text and the keyboard accompaniment.



