Ricordi ROSSINI G. - LA CENERENTOLA OSSIA LA BONTA IN TRIONFO - CHANT ET PIANO
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Summary of This Score
This edition offers a reduction for canto (or recited voice) and pianoforte, designed to meet the practical needs of singers, accompanist pianists, and teachers. The "voice and piano" format allows effective work on the vocal line, intonation, diction, as well as musical balance with the harmonic support of the piano, whether in lessons, coaching, or rehearsals.
You will find a critical edition prepared by A. Zedda, ensuring a rigorous approach to the musical text. The volume includes an introduction in Italian and English, useful for contextualizing the edition and facilitating understanding of the content by a broad audience. The sung text is also presented in Italian and English, an asset for preparing interpretation, working on pronunciation, and comparing translation choices according to needs (study, performance, pedagogy).
The score is published in two volumes, which improves reading and handling comfort, especially during extended sessions at the music stand. The binding is indicated as softcover, a format generally appreciated for its flexibility and ease of laying flat during playing.
Technical specifications
| Musical Genre | Opera | Publication | Sheet music |
| Edition | Critical edition by A. Zedda | Language | Italian, English |
| Instrumentation | Voice (or recited voice) and piano | ||
Questions frequently asked
Is Rossini's La Cenerentola available in voice and piano version?
This score features a reduction for voice, or spoken voice, and pianoforte.
Which critical edition is used for this La Cenerentola score?
The edition is prepared by A. Zedda. It includes an introduction in Italian and English.
Is the sung text of La Cenerentola translated into English?
The sung text is provided in Italian and English. This presentation allows comparison of the two languages during diction work. The introduction is also bilingual Italian-English.
Is the La Cenerentola score published in multiple volumes?
The work is published in two volumes, with a saddle-stitched binding.
Is this reduction suitable for work with an accompanist pianist?
The voice and piano format combines the vocal line and the harmonic support of the pianoforte, for rehearsals or pedagogical work.
