Ricordi SALVIANI C. - STUDI PER OBOE (TRATTI DAL METODO). VOL. II
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
Ricordi
https://www.ricordi.com
------------------------
Safety manager:
Hal Leonard Europe BV
Email:
Address:
Summary of This Method
This Volume II dedicated to the oboe is aimed at players who want to advance beyond the basics: stabilizing tone production, refining intonation, and making the playing more flexible and lyrical. The progression encourages working on breath continuity, clarity of attacks, and cleanliness of transitions-essential points for a homogeneous oboe sound across the entire range.
Designed to integrate easily into a study routine, this method emphasizes concrete goals: establishing reliable fingering reflexes, increasing endurance, improving tongue-finger coordination, and mastering dynamics without hardening the sound. It serves as an excellent support to complement lessons, prepare for auditions, or simply structure home practice with clear benchmarks.
Thanks to the edition by A. Giampieri, the approach also targets musicality: clear articulations, more natural phrasing, and a sense of line. A relevant tool to develop solid technique while maintaining the demand for a centered and expressive timbre, essential for playing both in ensembles and as a soloist.
Technical specifications
| Publication | Methods | ||
| Edition | A. Giampieri (ed.) | Instrumentation | Oboe |
Questions frequently asked
What level is Volume II of Salviani's Studi per Oboe intended for?
Volume II is intended for oboists who have surpassed the basics. The progression focuses particularly on stabilizing tone production, refining intonation, and achieving greater playing flexibility.
Which technical aspects are worked on in this oboe method?
The work targets breath continuity, attacks, transitions, and coordination between the tongue and fingers.
What edition is this Salviani oboe method?
The edition is by A. Giampieri. The proposed work places emphasis on clear articulations and natural phrasing. The musical line's sense is among the addressed focuses.
Can this method support preparation for an oboe audition?
Its structure allows it to complement lessons and prepare for auditions. The stated objectives include endurance, control of dynamics, and more reliable fingerings.
Does Volume II help develop a homogeneous sound on the oboe?
The studies concentrate on tone production and breath continuity to support consistent playing across the entire range. A centered and expressive timbre is also highlighted in the musical approach.
