Robert Lienau Musikverlag Gastoldi Giovanni Giacomo - Balletti (1594) - 3 flutes à bec
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Summary of This Score
This collection brings together the famous "Balletti (1594)" by Giovanni Giacomo Gastoldi, in a version intended for a recorder trio (S/A/T). Originally conceived as pieces to sing and dance to, these pages of Italian Renaissance music retain a very rhythmic energy, clear imitative formulas, and a sense of refrain that make them excellent material for developing ensemble cohesion, collective breathing, and attack quality within an ensemble.
The set includes 16 numbers with strongly characterized personalities, each evoking a "character": Il Ballerino, La Cortigiana, Lo Spensierato, Il Tedesco, Il Luchesino, Lo Sdegnato, Il Prigioniero, Il Felice, Il Risentito, L'Humorista, Il Curioso, Il Costante, Il Tormentato, Il Fortunato, L'Invaghito, and El Passionao. This diversity allows for working on contrasts in dynamics, tempi, and articulations (detached playing, slurs, accents) while remaining within an accessible and rewarding harmonic language.
Thanks to its clear writing and dance spirit, this score is particularly suited for ensemble workshops, auditions, early music projects, or simply the pleasure of making a recorder trio sound with an essential historical repertoire.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Giovanni Giacomo Gastoldi | Language | Without text (instrumental score) |
| Arranger | Nikolaus Delius | Pages | 32 |
| Edition | Robert Lienau | Year of publication | 1998 |
| Instrumentation | 3 recorders (S/A/T) | ||
Questions frequently asked
What is the instrumentation of Gastoldi's Balletti?
Nikolaus Delius's arrangement is written for three recorders: soprano, alto, and tenor (S/A/T).
How many pieces does this collection for recorder trio contain?
The collection includes 16 numbers from the 1594 Balletti. Each piece has a character title, including Il Ballerino, La Cortigiana, and El Passionao. This variety allows exploration of contrasts in tempi, dynamics, and articulations.
Does the Gastoldi Balletti score include sung text?
This 32-page edition is an instrumental score without text.
For what ensemble contexts is this score suited?
The writing for soprano, alto, and tenor is suited to ensemble workshops, auditions, and early music projects. The imitative formulas and refrains help develop ensemble coordination and collective breathing.
From which period are Giovanni Giacomo Gastoldi's Balletti?
The pieces come from the Balletti published in 1594, belonging to the Italian Renaissance repertoire. The indicated Robert Lienau edition was published in 1998.



