Robert Martin Paczynski G. - Rythme et Geste
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
Robert Martin
https://www.edrmartin.com
info@edrmartin.com
------------------------
Safety manager:
Hexamusic
Email: hexamusic@wanadoo.fr
Address:
Summary of This Book
The roots of musical rhythm from prehistory to the Christian era:
Mesopotamia, Egypt, India, China, Greece, and the Hebrew World. Birth, evolution, and perspectives. offers a well-documented exploration of the foundations of rhythm and its functions within ancient cultures. Throughout the chapters, the book puts into perspective the religious, social, and symbolic contexts in which music develops, in order to better understand how rhythmic organizations are constructed, transmitted, and transformed. This approach makes it a relevant read for musicians, teachers, enthusiasts of music history, and musicology wishing to deepen their understanding of the origins of rhythmic practices.
Based on the teachings and conclusions drawn from the study of past civilizations, the author deliberately makes a leap forward in time to examine the situation of music today. This conscious link between ancient heritage and contemporary questions gives the whole work a current relevance: it is not just about tracing a distant past, but about fostering reflection on the place of rhythm, its uses, and its possible evolutions in modern creation and listening. Preface by Jean Cazeneuve
Technical specifications
| Genre | musicology book, history of music | Language | French |
Questions frequently asked
Which peoples and civilizations are covered in Rhythm and Gesture?
The work studies the roots of rhythm from prehistory to the Christian era. The Mesopotamian, Egyptian, Indian, Chinese, Greek civilizations, and the Hebrew world are addressed.
Is this book dedicated to the history of musical rhythm?
Classified under musicology and history of music, this book examines the birth, evolution, and perspectives of rhythm. The religious, social, and symbolic functions of music in ancient cultures are related to rhythmic organizations.
Does the book connect ancient music with contemporary practices?
Drawing from lessons learned from past civilizations, the author examines the current state of music. This approach concerns the place of rhythm, its usages, and possible evolutions in both modern creation and listening.
Is Rhythm and Gesture suitable for musicology?
Intended especially for musicians, teachers, and musicology enthusiasts, the work offers a documented exploration of the foundations of rhythm. The study of the transmission and transformation of rhythmic organizations provides a precise historical framework.
In which language is Rhythm and Gesture published?
The publication is written in French and includes a preface by Jean Cazeneuve.
