Rode M5 MP
Estimated Shipping Widget will be displayed here!
- This item is covered for 3 years
What you need to know
What you need to know
- Matched pair within +/-1 dB for consistent stereo recordings and precise imaging
- 1/2-inch cardioid capsule, wide response 20 Hz - 20 kHz to capture transients naturally
- Low self-noise of 19 dB-A and max SPL of 140 dB: fine detail without hiss, dynamic headroom for powerful sources
- Australian made, black ceramic finish, WS5 windshields and RM5 clips included with matching certificate
Manufacturer Information
Rode
https://www.rode.com
------------------------
Safety manager:
IMS Distribution
Email: contact@ims-distribution.com
Address:
Following the NT5: the Compact and Accessible Version
Derived from the expertise of the highly regarded NT5, the RĂDE M5 carries the brand's pencil microphone DNA in an even more discreet and lightweight format. Its permanently polarized design and matte black ceramic finish make it a robust and elegant tool, designed to last both in the studio and on tour. The matched pair selection guarantees uniform sensitivity, ensuring reliable stereophony straight out of the box.
Who and What For?
The M5 is aimed at sound engineers, musicians, and creators seeking a versatile small diaphragm microphone for recording acoustic instruments, drum overheads, piano, string ensembles, or choirs. Its cardioid directivity and low self-noise make it a relevant choice for close-miking in the studio, while its compactness facilitates subtle placements in live settings. In pairs, it excels in XY, ORTF, AB, or close-mono configurations.
Discreet Design, Strict Matching, and Consistent Performance
Based on a pressure gradient principle, the M5 offers a fast transient response and faithful timbre reproduction. The matching tolerance of +/-1 dB ensures a stable stereo image and good phase compatibility, essential for credible ambience, overhead, and ensemble recordings. Powered by +24 V or +48 V phantom power, it integrates seamlessly with most modern preamps and interfaces via its XLR output.
Stage & Studio Versatility
With 140 dB maximum SPL and 13.5 dBu output level, the M5 handles intense sources effortlessly while maintaining comfortable headroom. The WS5 windshields reduce plosives and light wind noise, and the RM5 clips provide secure mounting even in tight positions around a kit, piano, or choir stands.
Technical specifications
| Frequency response - start | 20 Hz | Directivity | cardioid |
| Frequency response - end | 20 kHz | Connection | XLR |
| Category | studio microphone | Color | Black |
| Type | permanently polarized condenser microphone, pressure gradient principle | Output impedance | 200 ohms |
| Capsule | 0.50 inch | Phantom power | +24 V / +48 V |
| Frequency response | 20 Hz - 20 kHz | Output connector | XLR |
| Equivalent noise level (A-weighted) | 19 dB-A | Finish | matte black ceramic coating |
| Maximum sound pressure level | 140 dB (at 1 kHz, 1% THD under 1 kilo-ohm) | Dimensions | 100 x 20 x 20 mm |
| Maximum output level | 13.5 dBu (at 1 kHz, 1% THD under 1 kilo-ohm) | Weight | 80 g |
| Sensitivity | -34 dB re 1 V/Pa (20.0 mV at 94 dB SPL) +/-2 dB at 1 kHz | ||
You will also like
Prodipe
A1 Duo
Rode
NT5 MP
Sennheiser
E904
Sennheiser
E602-ii
Sennheiser
E902
Sennheiser
E604
Universal Audio
SD-5
Universal Audio
SD-3
Customer reviews
What customers say
Summarized and selected by AI from recent customer reviews
Affordable matched pair microphones praised for recording and live sound applications. Customers said they deliver "very good results" for choirs, acoustic guitars, and orchestral instruments. Highly sensitive with clean bass and neutral sound. Some noted lack of on/off switch and slightly recessed midrange. "Excellent value for price" with 10-year warranty.
Review highlights
- âIncredibly inexpensive compared to their quality, perfect stereo qualityâ
- âExcellent value for price, very good microphone for recording acoustic guitarâ
- âMicrophones that work very well for amplifying a small choir. Good resultsâ
Based on 13 reviews
- 3 stars, 0 reviews
- 2 stars, 0 reviews
- 1 star, 0 reviews
The review form didn't open. Please try again.
-
Very decent microphones for this budget
These Rode M5 sdc are the low cost version of their big brother NT5. The capsule is no longer a real capacitor but an electret and is not interchangeable, the electronics, a little louder (19 db) while remaining at a very good level, loses sensitivity. But we keep the very good manufacturing quality of Rode.
Used in ORTF, XY and AB sound recording on an acoustic guitar, we get a very correct sound: the bass is very clean and well defined, the mids are a bit behind (small dip around 2kz 3kz) and the treble does not shine too much. This gives something fairly neutral that can easily be improved with an EQ.
The Lewitt LCT 040s that I was able to test beforehand are more flattering and offer ventilation than these Rode M5s do not have. Too bad I didn't keep the LCT 040s did one of the two suffer from a big Buzz that strangely wasn't detected by the after-sales service? According to them, it came from my installation that I had of course taken care to check beforehand (cables, preamp).
On the other hand, these two Rode M5s work wonderfully and what doesn't ruin anything, they benefit from an extended warranty of 10 years (via Rode's site).
These two microphones are pretty good for their price (149âŹ) and are very suitable for amateur sound recording in a home studio. If you are looking better, you will have to double the budget and maybe go for the Rode NT5s or Oktava MK 012 or even rob a bank to buy a pair of Neumann KM 184.Automatically translated
-
Very decent microphones for this budget
These Rode M5 sdc are the low cost version of their big brother NT5. The capsule is no longer a real capacitor but an electret and is not interchangeable, the electronics, a little louder (19 db) while remaining at a very good level, loses sensitivity. But we keep the very good manufacturing quality of Rode.
Used in ORTF, XY and AB sound recording on an acoustic guitar, we get a very correct sound: the bass is very clean and well defined, the mids are a bit behind (small dip around 2kz 3kz) and the treble does not shine too much. This gives something fairly neutral that can easily be improved with an EQ.
The Lewitt LCT 040s that I was able to test beforehand are more flattering and offer ventilation that these Rode M5s do not have. Too bad I didn't keep the LCT 040s: did one of the two suffer from a big Buzz that strangely wasn't detected by the after-sales service? According to them, it came from my installation, which I had of course taken care to check beforehand (cables, preamp).
On the other hand, these two Rode M5s work wonderfully and what doesn't ruin anything, they benefit from a 10-year warranty extension (via Rode's site).
These two microphones are pretty good for their price (149) and are very suitable for amateur sound recording in a home studio setting. If you are looking better, you will have to double the budget and maybe go for the Rode NT5 or Oktava MK 012 or even rob a bank to buy a pair of Neumann KM 184.Automatically translated
-
Very decent microphones for this budget
These Rode M5 sdc are the low cost version of their big brother NT5. The capsule is no longer a real capacitor but an electret and is not interchangeable, the electronics, a little louder (19 db) while remaining at a very good level, loses sensitivity. But we keep the very good manufacturing quality of Rode.
Used in ORTF, XY and AB sound recording on an acoustic guitar, we get a very correct sound: the bass is very clean and well defined, the mids are a bit behind (small dip around 2kz 3kz) and the treble does not shine too much. This gives something fairly neutral that can easily be improved with an EQ.
The Lewiit LCT 040s that I was able to test beforehand are more flattering and offer ventilation than these Rode M5s do not have. Too bad I didn't keep the LCT 040s did one of the two suffer from a big Buzz that strangely wasn't detected by the after-sales service? According to them, it came from my installation that I had of course taken care to check beforehand (cables, preamp).
On the other hand, these two Rode M5s work wonderfully and what doesn't ruin anything, they benefit from an extended warranty of 10 years (via Rode's site).
These two microphones are pretty good for their price (149âŹ) and are very suitable for amateur sound recording in a home studio. If you are looking better, you will have to double the budget and maybe go for the Rode NT5s or Oktava MK 012 or even rob a bank to buy a pair of Neumann KM 184.Automatically translated
-
Very decent microphones for this budget
These Rode M5 sdc are the low cost version of their big brother NT5. The capsule is no longer a real capacitor but an electret and is not interchangeable, the electronics, a little louder (19 db) while remaining at a very good level, loses sensitivity. But we keep the very good manufacturing quality of Rode.
Used in ORTF, XY and AB sound recording on an acoustic guitar, we get a very correct sound: the bass is very clean and well defined, the mids are a bit behind (small dip around 2kz 3kz) and the treble does not shine too much. This gives something fairly neutral that can easily be improved with an EQ.
The Lewiit LCT 040s that I was able to test beforehand are more flattering and offer ventilation that these Rode M5s do not have. Too bad I didn't keep the LCT 040s: did one of the two suffer from a big Buzz that strangely wasn't detected by the after-sales service? According to them, it came from my installation, which I had of course taken care to check beforehand (cables, preamp).
On the other hand, these two Rode M5s work wonderfully and what doesn't ruin anything, they benefit from a 10-year warranty extension (via Rode's site).
These two microphones are pretty good for their price (149) and are very suitable for amateur sound recording in a home studio setting. If you are looking better, you will have to double the budget and maybe go for the Rode NT5 or Oktava MK 012 or even rob a bank to buy a pair of Neumann KM 184.Automatically translated
-
Used by a violin student in a Higher Conservatory of Music. These microphones, which are incredibly inexpensive compared to their qualities, allow the musician not only to evolve in the subtle awareness of his game in constant evolution and in perpetual experimentation, but also thanks to their perfect stereo quality to allow him to realize what the public perceives, what the listeners perceive during a live performance, a concert. So microphones are essential.
Automatically translated
No reviews match this filter.
Reviews can't be loaded right now. Please try again.
Automatically translated
Questions frequently asked
Is the RĂDE M5 MP suitable for drum overheads?
The matched pair, with a sensitivity tolerance of +/-1 dB, ensures a stable stereo image for overheads. The maximum SPL level of 140 dB allows capturing intense sound sources.
What phantom power is required for the M5?
Phantom power of +24 V or +48 V is required via XLR connectors.
Can this pair be used to record piano or acoustic guitar?
The cardioid polar pattern and 0.50-inch capsule are suitable for acoustic instruments including piano and guitar. The frequency response ranges from 20 Hz to 20 kHz. XY, ORTF, or AB placements can be used for stereo recording.
Are the two microphones in the M5 MP pair matched?
Each pair is selected with a matching tolerance of +/-1 dB. This sensitivity uniformity contributes to phase coherence when capturing ambiences or ensembles.
Is the M5 easy to position on stage?
With dimensions of 100 x 20 x 20 mm and a weight of 80 g per microphone, this model facilitates tight placements around a kit or piano. Its matte black ceramic finish is designed for studio and live use.
