Salabert CHAUSSON E. - POEME DE L'AMOUR ET DE LA MER - VOIX ET ORCHESTRE
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Salabert
https://www.durand-salabert-eschig.com
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Summary of This Score
Designed as a vocal and piano reduction, this score highlights the voice (high voices) supported by a piano accompaniment crafted for daily musical practice. The mention "canto (or voce recit) e pianoforte" indicates content centered on the vocal part, which may include recitative-type passages, with a piano realization that allows effective repetition without an ensemble. This type of edition is particularly appreciated for study: establishing breathing, diction precision, intonation stability, and understanding harmonic support thanks to the piano. The accompaniment, more accessible than an orchestral version, promotes gradual learning and reliable preparation before rehearsal or audition. With its opus 19 reference, this score naturally fits into a vocal library and serves as a relevant resource for lessons, vocal coaching, or duo singer-pianist work, while preserving the essential musical structure.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | voice (high voices) and piano | ||
Questions frequently asked
What instrumentation is planned in this score?
The edition is designed for high voice singing with piano accompaniment.
Is this edition of Poème de l'amour et de la mer performable without an orchestra?
The voice and piano reduction allows for study of the work without an orchestral ensemble. The piano accompaniment maintains the harmonic support necessary for preparation. This format is suitable for working with a collaborative pianist.
What does the indication "canto (o voce recit) e pianoforte" mean?
This marking designates a vocal part with piano, which may include recitative-type passages.
For which voices is this score intended?
The vocal part is specified for high voices.
What is the opus number of this work by Chausson?
The work is identified as opus 19.
