Salabert Vellard - Un Poeme Une Chanson Vol.2 - Chant et Piano
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
Salabert
https://www.durand-salabert-eschig.com
------------------------
Safety manager:
Hal Leonard Europe BV
Email:
Address:
Summary of This Score
This collection for voice and piano offers a musical journey built around great poetic texts. Each piece emphasizes the intelligibility of French and the color of the word, with a piano that does more than just accompany: it establishes the mood, highlights the imagery, and extends the breath of the phrase. The whole serves as an excellent tool to develop legato, attacks, dynamics, and projection, while staying close to the meaning of the poem.
The texts bring together major authors (from Victor Hugo to Jacques Prévert), offering a diversity of worlds: nostalgia, lyrical impulses, nature scenes, more narrative scenes, or intimate evocations. This variety allows for exploring different interpretative characters and building a coherent program, whether for pedagogical purposes (reading, diction, style) or artistic ones (recital preparation).
- Le Beau Navire
- Les Amis d'enfance
- Chanson d'automne
- L'Âne
- Le Cavalier
- Mon Beau Village
- Le Comte de la mi-carême
- Le Ruisseau
- Odelette
- Chanson de la Seine
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | Voice and piano | Language | French |
| Genre | Mélodies for voice and piano | ||
Questions frequently asked
What instrumentation is planned in Un Poeme Une Chanson Vol.2?
The collection is written for voice and piano, in the style of art songs for voice and piano.
Which poems are included in this volume 2?
The table of contents includes 10 pieces, among them "Le Beau Navire", "Chanson d'automne", "L'Âne" and "Chanson de la Seine".
Are the sung texts in French?
The indicated language is French. The texts range from Victor Hugo to Jacques Prévert. The work notably focuses on the intelligibility of French and the color of the word.
Does this score allow practice of sung diction?
The writing connects the vocal phrase with the meaning of the poem. It allows approaching legato, attacks, dynamics, and projection, with a piano that sets the musical mood.
Can these voice-piano melodies be used to prepare a recital?
The diversity of the 10 texts, between nature, nostalgia and narrative scenes, allows constructing a coherent recital program.
