Schirmer Concerto Op. 14 - Corrected Revised Version
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Schirmer
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Summary of This Score
This full score gathers the entire music in a "Full Score" format, allowing simultaneous visualization of the solo violin part and all orchestral sections. It is especially aimed at conductors, conducting students, composition/analysis teachers, as well as musicians wishing to understand the overall construction of the work: management of dynamics, texture densities, counter-melodies, doublings, and breathing between the soloist and the orchestra.
The score highlights Samuel Barber's refined writing, where the melodic line and cantilena hold a central place, supported by nuanced orchestration. Thanks to the full score presentation, preparation work becomes more efficient: anticipating transitions, identifying balances, understanding sound layers and articulations. A valuable resource to deepen the style of Barber and approach the classical repertoire with both a musical and structured method.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Samuel Barber | Genre | Classical |
| Artist | David Flachs | Pages | 84 |
| Instrumentation | Orchestra and Violin | Year of Publication | 1987 |
| Collection | Full Score | ||
Questions frequently asked
Does this edition include the violin part and the full orchestra?
The Full Score format combines both the solo violin part and all the orchestral sections. It allows one to identify doublings, counter-melodies, and balance between the soloist and the orchestra.
What is the instrumentation of the Concerto Op. 14?
The specified instrumentation is violin and orchestra, for the work by Samuel Barber.
How many pages does the conductor's score have?
This score contains 84 pages.
Is this the corrected and revised version of Barber's Concerto Op. 14?
The edition is titled "Corrected Revised Version." It is published in the Full Score series and bears the publication year 1987.
For which musicians is this conductor's score intended?
The conductor's score format is mainly intended for conductors and conducting students. It facilitates anticipating transitions and following sound plans across the 84 pages. Writing and analysis teachers can also study Samuel Barber's orchestration with it.
