Schirmer String Quartet Op. 11
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Schirmer
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Summary of This Score
This set of separate parts for string quartet highlights the writing of Samuel Barber, a major composer of the 20th-century classical repertoire. Designed for a chamber music formation (two violins, viola, cello), this score is suitable both for regular conservatory practice and ensemble projects (auditions, seasonal concerts, chamber music). The separate parts format facilitates individual reading and allows each player to focus on their role: intonation in unisons, precision of entrances, uniformity of bow strokes, and balance of sound layers.
In ensemble playing, this type of repertoire particularly emphasizes the quality of listening and shared breathing. String players will find an excellent study ground to refine intonation in chords, stabilize attacks, perfect legato, and build a nuanced collective dynamic. It is also a relevant score for working on string quartet sonority, with attention paid to timbre, transitions, and continuity of the musical discourse.
Published in the "String" collection in 1986, this score is aimed at quartets wishing to enrich their program with an expressive work, effective in concert and educational in rehearsal. It will naturally find its place in a chamber music library, for focused practice sessions as well as performances where musical intensity and group cohesion are highlighted.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Samuel Barber | Genre | Classical |
| Instrumentation | String Quartet | Pages | 8 |
| Collection | String | Year of Publication | 1986 |
Questions frequently asked
For which ensemble is this Samuel Barber score written?
The indicated instrumentation is a string quartet: two violins, viola, and cello. The set is intended for a complete formation of four players.
Does Schirmer String Quartet Op. 11 contain individual parts?
This edition is presented as a set of individual parts, allowing each musician to have their own part.
How many pages does the edition have?
The score contains 8 pages according to the provided details.
Is this work suitable for chamber music practice in a conservatory?
The format in individual parts promotes individual practice of entrances and divisi. The writing allows focusing on intonation in chords, legato, and balance of sound layers. The score is recommended for regular conservatory practice and quartet rehearsals.
From which collection and year does this score come?
The publication belongs to the 'String' collection and dates from 1986. The composer listed is Samuel Barber, in the classical genre.



