Schoeps Cmit 5
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Manufacturer Information
Schoeps
https://www.schoeps.de
mailbox@schoeps.de
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Schoeps GmbH
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A Benchmark in Boom Microphone Recording from Schoeps
Since its launch, the Schoeps CMIT 5 has established itself as a new standard among high-end shotgun microphones. Its interference tube design offers directivity superior to what is expected from a microphone of this length, while maintaining a balanced sonic signature. Its vertical/horizontal polar symmetry guarantees a consistent timbre, even during rotations on the axis.
For Whom and For What Uses?
Designed for sound mixers, boom operators, broadcast engineers, and documentary sound recordists, the CMIT 5 excels in cinema, TV, reportage, and theater. It also shines in music-at the opera or in the orchestra pit-when enhanced directivity is required in confined or reverberant spaces, while remaining natural and precise.
Key Features for Demanding Shoots
Directivity and Off-Axis Neutrality
The smooth progression of directivity across the entire spectrum results in excellent rejection of ambient noise without coloration. Localized events remain faithful, reducing movement effects during boom recordings.
Intelligent Built-In Filters
The CMIT 5 integrates three switchable treatments directly in the microphone: a +5 dB presence boost at 10 kHz to restore clarity on distant voices, a low-cut filter at 80 Hz (18 dB/oct.) to attenuate handling and wind noise, and a proximity filter at 300 Hz (6 dB/oct.) to control bass buildup depending on distance.
Reliable Connectivity and RFI Shielding
Phantom power P48, XLR-3 output, and Schoeps' "RFI Shield" ensure universal compatibility, long cable runs without loss, and excellent immunity to radio frequency interference-a major advantage on crowded RF sets.
Technical specifications
| Frequency response | 40 Hz - 20 kHz |
| Category | Shotgun Microphone |
| Directivity | hypercardioid |
| Connection | XLR |
| Color | Blue |
| Sensitivity | -35 dB (V/Pa), 18 mV/Pa |
| A-weighted equivalent noise | 13 dB |
| CCIR equivalent noise | 24 dB |
| Signal-to-noise ratio | 81 dB |
| Maximum sound pressure level (THD below 0.5%) | 131 dB SPL (P48) |
| Maximum output voltage | 1.3 V (2.5 dBV) on 1 kOhm load |
| Presence boost | switchable, +5 dB at 10 kHz |
| Low-cut | switchable, 80 Hz, 18 dB/oct. |
| Proximity filter | switchable, 300 Hz, 6 dB/oct. |
| Output impedance | 50 ohms |
| Recommended minimum load impedance | 1 kOhm |
| Maximum cable length | over 400 m |
| Common mode rejection at 1 kHz | greater than 65 dB |
| Output | XLR-3M, analog, 1 channel |
| Power supply | P48, valid voltage above 34 V |
| Current consumption | 4.4 mA (P48) |
| Schoeps RFI Shield | yes |
| Dimensions | 251 x 21 mm |
| Finish | blue |
Questions frequently asked
Is the Schoeps CMIT 5 suitable for recording opera or orchestra pit sound?
Its hypercardioid directivity and frequency response from 40 Hz to 20 kHz allow focused capture in constrained or reverberant spaces. The interference tube maintains a balanced off-axis sound signature.
What filters are available on this shotgun microphone?
Three switchable treatments are integrated: a +5 dB presence boost at 10 kHz, a high-pass filter at 80 Hz with an 18 dB/octave slope, and a proximity filter at 300 Hz with a 6 dB/octave slope.
What power supply is required to use this boom microphone?
A P48 phantom power supply providing more than 34 V is required. The specified current consumption is 4.4 mA.
Is the CMIT 5 protected against radio interference on set?
The Schoeps RFI Shield is built-in to limit radio interference. The common-mode rejection exceeds 65 dB at 1 kHz, which is useful on sets using RF links. The XLR-3 output allows cables longer than 400 m.
What are the microphone’s dimensions and self-noise level?
The body measures 251 x 21 mm and the A-weighted equivalent noise level is 13 dB.
