Schott MONTEVERDI CLAUDIO - MAGNIFICAT M XIV 327 / SV 206 ANH.
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Summary of This Score
This score offers a complete setting of the text (Luke 1:46-55) in Latin, presented as a vocal/piano score (voice with piano accompaniment). The keyboard part, designed as a functional reduction, allows for rehearsal, supporting entrances, and precise work on voice/piano balance, whether in lessons, choir rehearsals, or performance preparation.
With an approximate performance duration of 20 minutes, the work fits an expansive format, allowing time to develop musical and expressive progression. This length makes it a relevant choice to structure a highlight within a program (sacred music, thematic concert, choral season) while remaining compatible with the constraints of a celebration or educational programming.
Catalog references M xiv, 327 / SV 206, Anh. facilitate identification of the work within a library or collection, useful for teachers, conductors, and performers working from catalogs and archives. Published on 03/08/1999, this edition provides a reliable resource for approaching the text, Latin diction, and musical preparation methodically.
Technical specifications
| Musical Genre | Religious, Sacred | Publication | Sheet music |
| Edition | vocal/piano score (edition prepared by Jerome Roche) | Language | Latin |
| Instrumentation | voice and piano | Year of publication | 1999 |
Questions frequently asked
What is the duration of Magnificat M XIV 327 / SV 206 Anh.?
The indicated performance duration is approximately 20 minutes.
Is this Monteverdi score in Latin?
The text set to music is in Latin and corresponds to Luke 1:46-55. This edition facilitates targeted practice of Latin diction.
What instrumentation is specified in this edition?
The specified instrumentation combines voices and piano. The keyboard part is presented as a functional reduction intended to accompany vocal practice.
Is this a choir rehearsal score with piano?
The format is a vocal/piano score, i.e., a singing score with piano accompaniment. It supports entrances and helps work on the balance between voices and keyboard. Its use is suitable for choral rehearsals and musical preparation.
Who edited this Schott edition published in 1999?
The vocal/piano edition was prepared by Jerome Roche and published in 1999.
