Schott VIVALDI ANTONIO - CONCERTO IN A MAJOR OP. 4/5 RV 347 - VIOLIN STRING ORCHESTRA AND ORGAN
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Summary of This Score
Designed for violinists who want to work efficiently, this score is offered in piano reduction with solo part. This format is particularly appreciated in lessons, rehearsals, and audition preparation, as it allows focusing on intonation, bowing, articulations, and rhythmic placement while maintaining a stable harmonic foundation on the piano. The presence of the solo violin part facilitates quick identification of entrances, phrasing, and technical passages, with a layout designed for the musician's daily use.
The original instrumentation combines violin, string orchestra, and organ, an ensemble that opens up a wide range of nuances and sonic layers: the solo line can unfold above a carpet of strings, while the organ provides support, depth, and relief in structural moments. Whether you are preparing an interpretation, rehearsing with an accompanist, or setting up before ensemble rehearsals, this edition is a reliable tool, in portrait format, designed for regular use on the music stand.
Technical specifications
| Musical Genre | Classical | ||
| Instrumentation | violin, string orchestra, and organ | Year of publication | 1985 |
| Pages | 28 | ||
Questions frequently asked
Does this edition include a piano reduction and the solo violin part?
The edition is offered with a piano reduction and solo violin part. This format facilitates working with an accompanist. The solo line's entrances and phrasing can be identified directly on the dedicated part.
For which ensemble is the Concerto in A major op. 4/5 RV 347 written?
The original instrumentation features a solo violin, string orchestra, and organ.
How many pages does the score have?
The score has 28 pages, in a portrait format suitable for use on a music stand.
Is this score suitable for preparing a violin audition?
The piano reduction allows for practicing intonation, bowing, and articulation without the full orchestral set. It can be used in rehearsals with an accompanist. The solo part helps prepare the rhythmic placement of technical passages.
From what year is this Schott edition of the concerto RV 347?
This edition was published in 1985.
