Sennheiser E608
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- This item is covered for 3 years
What you need to know
What you need to know
- Ultra-miniature format: discreetly attaches to many wind instruments and percussion, ideal on stage as well as in the pit.
- Supercardioid directivity: excellent source isolation to limit bleed from other instruments and monitors.
- Integrated gooseneck: quick and precise capsule placement, even in tight setups.
- Shock-mounted capsule: reduces handling noise, vibrations, and shocks for a cleaner signal.
Manufacturer Information
Sennheiser
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A compact instrument microphone designed for close miking
The Sennheiser e 608 follows the tradition of instrument microphones designed for the stage: close, stable capture that is easy to set up without bulky microphone stands. Its miniaturization is a major asset when preserving the aesthetics of a music stand, saving space on a crowded stage, or securing a setup in live conditions. This clip-on design allows the microphone to stay close to the instrument while maintaining true audio quality suited to sound reinforcement requirements.
For whom and for what: winds, brass, and percussion in live and studio settings
This supercardioid dynamic microphone is particularly relevant for musicians and sound engineers seeking a discreet, robust, and fast solution for instrument sound reinforcement. It is suitable for multiple uses: saxophone, trumpet, trombone, clarinet, as well as various percussion instruments requiring close miking. Thanks to its microphone clip and gooseneck, you can position the capsule where the instrument projects best, while minimizing the influence of the surrounding stage (drums, amps, monitors). In the studio, it can also be used when a close, controlled, and easily reproducible capture from take to take is desired.
Miniaturization, isolation, and reliability: key points of the e 608
Supercardioid directivity: greater control in noisy environments
The supercardioid pattern helps focus the capture on the targeted instrument. This is a real advantage on stage, especially when sources are close together (brass sections, big band, orchestra, multiple percussion) and you want to maintain an exploitable sound both front of house and in monitors. The result is a clearer recording with less "pollution" from neighboring sources.
Integrated gooseneck: precise capsule placement without constraints
The integrated gooseneck facilitates precise positioning even when space is limited. You can adjust the angle and distance of the capsule to find the right balance between attack, presence, and overall tonal balance, depending on the instrument and musical style. This placement flexibility is especially appreciated when quickly adapting to stage changes or music stand constraints.
Shock mounting and reinforced construction: cleaner signal, worry-free use
The shock mounting of the capsule effectively isolates the signal from vibration noise and unwanted shocks related to handling or instrument movement. The reinforced shock-resistant construction is designed for live realities: repeated assembly/disassembly, transport, and intensive use. Finally, the hum compensation coil helps reduce certain unwanted noises, which helps secure the sound capture in complex environments.
Technical specifications
| Frequency response - start | 40 Hz | Directivity | supercardioid |
| Frequency response - end | 16 kHz | Capsule | dynamic |
| Category | instrument microphone | Color | Black |
| Frequency response | 40 - 16000 Hz | Weight | 20 g |
| Sensitivity (free-field, open-circuit) | 0.8 mV/Pa (1 kHz) | Microphone | 1 e 608 |
| Nominal impedance | 250 ohms | Microphone clip | 1 |
| Minimum load impedance | 1 kilohm | Case | 1 |
| Dimensions | 17 x 185 mm | ||
Customer reviews
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Very good little microphone... I use it to sound a Tamani for which the clip is not too suitable... I have to reinforce the attachment with a shoelace. In fact, for this instrument, the tweezers should be able to be perpendicular to the given orientation. But in terms of sound, no problem, there is a very good sound reproduction.
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Questions frequently asked
Is the Sennheiser e 608 suitable for saxophone and brass instruments?
This model is designed for close-miking saxophone, trumpet, trombone, and clarinet. Its supercardioid pattern helps to limit pickup of nearby sound sources on stage.
Can the e 608 microphone be attached directly to the instrument?
The microphone clip allows for setup without a bulky microphone stand. The integrated gooseneck facilitates positioning the capsule close to the instrument's sound projection area.
What is the polar pattern of the e 608?
The dynamic capsule features a supercardioid polar pattern with a frequency response from 40 Hz to 16 kHz.
Does the e 608 reduce handling noise?
A shock mount isolates the capsule from vibrations and shocks caused by instrument movements. The reinforced construction is designed for repeated mounting and dismounting. A hum compensation coil helps reduce some unwanted noise.
What are the microphone's dimensions and weight?
Measuring 17 x 185 mm and weighing 20 g, this product maintains a compact size suitable for discreet instrument mounting.



