Shure Beta 52A
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- This item is covered for 3 years
The essentials to know about the Shure Beta 52 kick drum microphone
The essentials to know about the Shure Beta 52 kick drum microphone
- Optimized for low frequencies, with a 20–10,000 Hz response for a clear, deep impact on the kick drum.
- Supercardioid polar pattern providing excellent rejection of stage noise and minimal off-axis coloration.
- Handles extreme levels of up to 174 dB SPL, making it ideal for very loud sources.
- Integrated swivel mount for quick, precise positioning in front of or inside the drum.
Manufacturer Information
Shure
https://www.shure.com
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Safety manager:
Algam SAS
Email: contact@algam.net
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Essential Information About the Shure Beta 52 Kick Drum Microphone
- Optimized for low frequencies with a response from 20 to 10,000 Hz for a clear and deep impact on the kick drum.
- Supercardioid pattern offering excellent stage noise isolation and minimal off-axis coloration.
- Handles extreme levels up to 174 dB SPL, ideal for very powerful sources.
- Built-in swivel mount for quick and precise positioning in front of or inside the drum.
A Pillar of the Beta Series, Built for the Stage
Part of Shure's Beta series, the Beta 52 continues a philosophy focused on live performance. Designed to deliver warmth and presence, it stands as a reference on modern drum kits where reliability, robustness, and consistency are essential.
Who Is It For and What Are Its Uses?
The Beta 52 is aimed at drummers, sound engineers, and professionals seeking a plug-and-play, precise, and isolated kick drum microphone. Its supercardioid pattern effectively limits bleed from toms and cymbals, making it a safe choice for concerts, rehearsals, and project studios.
Design and Performance Serving the Low End
Focused on the lower spectrum, the Beta 52 captures the attack impact and sub depth without muddiness. Its sensitivity of -64 dBV/Pa ensures a solid recording while leaving room for equalization and compression.
Feedback and Bleed Control
The supercardioid pattern concentrates listening on the source, improves gain before feedback, and preserves mix clarity at high volumes.
Simplified Setup
The swivel mount facilitates orientation within the kick drum's opening or at the resonant head. You quickly find the ideal angle to balance attack, body, and sub according to style.
Technical specifications
| Frequency response - start | 20 Hz | Nominal impedance | 150 Ω |
| Frequency response - end | 10 kHz | Connection | XLR |
| Sensitivity | -64 dBV/Pa (0,6mV) | Clamp included | No |
| Category | wired microphone | Included accessories | carrying pouch, multi-step fitting |
| Type | instrument | Color | Green |
| Directivity | supercardioid | Weight | 605 g |
| Capsule | dynamic | Dimensions (mm) | Ø 70 x 113 x 163 |
| Polar pattern | Supercardioid | Maximum sound pressure level (SPL) | 174 dB |
| Frequency response | 20 - 10,000 Hz | Main application | Kick drum |
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Customer reviews
What customers say
Summarized and selected by AI from recent customer reviews
Professional bass drum microphone praised as "a classic" and industry reference. Customers said the sound is "round, precise, and punchy," ideal for live sound reinforcement. Excellent build quality and durability. Some noted it may lack precision in highs and requires pairing with external mic for home studio use. Price considered slightly high.
Review highlights
- “The sound is round, precise, and very punchy”
- “A classic for bass drum”
- “The reference microphone for bass drum, I recommend it!”
Based on 6 reviews
- 4 stars, 0 reviews
- 3 stars, 0 reviews
- 2 stars, 0 reviews
- 1 star, 0 reviews
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The Shure Beta 52a is a great kick drum mic. It has become a big reference in professional sound systems and I understand why. I use it to sound the bass drum in my band (pop-folk). I wanted a great sound for the bass drum because in my style it's what gets the audience moving. I am extremely satisfied with it. The sound is round, precise and very penetrating. You have to experiment a bit with the position of the microphone to get the sound you want but it's a pleasure and the results are fast.
On the other hand, for the home studio, the microphone alone is not enough. It must be coupled to a microphone (large diaphragm type) outside the bass drum to have a good representation of the bass. I rather place the Beta 52a inside the bass drum. It requires a bit more research.
In summary, I strongly recommend it because it is of very good quality. The finish is excellent and the weight of the microphone testifies to its robustness. A small reservation on the price because I find it a bit expensive all the same.Automatically translated
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With the price of this store, it is difficult to do better, it is in this range a great micro bass drum.
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Excellent bass drum microphones even if it may lack a bit of precision in the treble.
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The reference microphone to pick up the bass drum of a drum, I recommend it!
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Top a classic for bass drum
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Questions frequently asked
Is the Shure Beta 52A suitable for kick drum in concert settings?
Its dynamic capsule supports a maximum sound pressure level of 174 dB, suitable for high volumes. The supercardioid pattern reduces bleed from toms and cymbals. Feedback gain is improved on stage.
What is the polar pattern of this kick drum microphone?
The supercardioid polar pattern focuses the pickup on the kick drum and limits sounds coming from the sides.
What kind of low-end sound can be expected from this model?
The frequency response from 20 Hz to 10 kHz emphasizes attack impact and low-end depth. The stated sensitivity is -64 dBV/Pa, or 0.6 mV.
How is the microphone connected?
Connection is via XLR, with a nominal impedance of 150 Ω. No power supply is required as the capsule is dynamic.
What accessories are included with the Beta 52A?
A carrying pouch and a multi-step mount adapter are included. No clip is provided.
