Sonnox Oxford SuprEsser Native
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Sonnox
https://www.sonnox.com
info@sonnox.co.uk
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What Oxford SuprEsser (Native) Is For
Oxford SuprEsser (Native) is a de-essing and dynamic EQ plugin designed to reduce aggressive frequencies that interfere with the mix without altering the timbre. It excels on vocals (sibilance, overly prominent "s" and "ch" sounds), but is equally effective for softening an overly biting electric guitar, taming resonances on acoustic takes, or controlling excessive brightness on transient-rich sources. Thanks to its "see and hear before you act" approach, it helps quickly correct problematic areas, from post-production to music mixing, on projects ranging from demos to professional productions.
Main Features
Linear Phase Dynamic EQ: precision and transparency
At the heart of the SuprEsser is a Linear Phase Dynamic EQ processing. This approach allows for finely controlled reduction of aggressive frequencies while maintaining a natural feel, particularly appreciated on lead vocals, backing vocals, and instruments where clarity must remain intact. The result is an effective reduction of harsh areas with a clean, stable, and controlled output.
Control of harshness across the entire spectrum (20 Hz to 20 kHz)
Unlike a classic de-esser often focused on a narrow band, Oxford SuprEsser operates across the entire audio spectrum, from 20 Hz to 20 kHz. This enables treatment of sibilance in the high frequencies as well as harshness lower in the midrange, or other problematic frequencies depending on the source and microphone used. This versatility makes it a relevant tool for both mixing and more "surgical" corrections in post-production.
Simple and Advanced Modes: fast or ultra-detailed
The plugin offers a Simple mode for straightforward use: ideal for cleaning a vocal track in moments during a busy session. For more delicate cases, the Advanced mode unlocks additional settings to refine dynamic behavior and precisely tailor the reduction to variations in performance, diction, and arrangement.
Auto Level Tracking and Wet/Dry: a workflow that follows the performance
The Auto Level Tracking feature follows the energy of the incoming signal and applies a consistent relative reduction as the level changes. This is especially useful for vocals whose intensity varies between softer verses and more powerful choruses: the de-essing remains steady without the need for constant automation. The Wet/Dry control facilitates parallel processing: you instantly adjust the amount of correction to preserve the attack, presence, and natural dynamics of the source.
Technical specifications
| Type | Full software |
| Downloadable | Yes |
| Processing | Linear Phase Dynamic EQ (award-winning) |
| Purpose | transparent and precise control of aggressive frequencies (sibilance, harshness, edginess) |
| Operating range | 20 Hz to 20 kHz |
| Modes | Simple and Advanced |
| Features | Auto Level Tracking, Wet/Dry (parallel) |
| Version | Native only (a separate optimized AAX DSP version "SuprEsser DS" is available) |
| System | OS X (Mac OS X 10.12 or later) |
| Plugin formats | VST-3, AU, AAX |
Questions frequently asked
Is Oxford SuprEsser Native compatible with Mac and which formats are available?
The Native version runs on OS X from Mac OS X 10.12 onwards and is available in the VST-3, AU, and AAX formats.
Can it process sounds other than vocal sibilance?
The processing covers a range from 20 Hz to 20 kHz, allowing it to target harshness in the midrange as well as excessive brightness in the high end. Resonances from acoustic recordings or the aggressiveness of an electric guitar can thus be reduced.
What is the difference between Simple and Advanced modes?
The Simple mode allows quick adjustments on a vocal track. The Advanced mode provides additional controls to tailor the reduction to variations in diction and performance. Both modes rely on Linear Phase Dynamic EQ processing.
How does SuprEsser's Auto Level Tracking work?
Auto Level Tracking follows the energy of the incoming signal to maintain a relative amount of reduction as the level changes. This feature is particularly useful for vocals moving from a soft verse to a more intense chorus, without the need for constant automation.
Does the Wet/Dry control allow parallel de-essing?
The Wet/Dry control enables blending the correction in parallel, preserving the attack and dynamics of the source.




