Transatlantiques DUMOND ARNAUD - RÉPERTOIRE PÉDAGOGIQUE VOL.3 - GUITARE
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Transatlantiques
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Summary of This Book
Designed as a bridge between study and the joy of playing, this collection brings together original works written by guitarist-composer-teachers, each with their own sensitivity and approach to the instrument. The whole forms a library of solo guitar pieces, usable both in lessons and independently, to vary materials and boost motivation.
The selection covers a wide range of moods and languages: lyrical pieces, dances and evocations, modern colors, jazz nods, as well as more modal pages. This diversity allows concrete exploration of essential concepts such as articulation, melody-accompaniment balance, position management, rhythmic precision, and tone quality. Several titles also suggest work on sound color and instrumental effects (for example "Effets De Harpe," "Doctor Harms And Mister Pizz"), ideal for refining the palette and right-hand mastery.
Thanks to its progression from beginner to advanced level, this collection is suitable both for building an audition and concert repertoire and for complementing a method, refreshing sight-reading, and offering concrete musical goals at each stage. A particularly relevant choice for teachers seeking short and effective pieces, and for guitarists wishing to expand their repertoire with current and inspiring compositions.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Collective (47 guitarist-composer-teachers) | Genre | Collection of pedagogical pieces for guitar |
| Instrumentation | Guitar | Difficulty | Beginner to advanced |
Questions frequently asked
What skill level is required for Transatlantiques Dumond Arnaud - Répertoire pédagogique vol.3?
The announced progression ranges from beginner to advanced levels. The collection thus supports technical development through gradually more difficult pieces.
How many composers are featured in this guitar collection?
The book brings together works by 47 guitarists, composers, and teachers. This collective authorship offers diverse approaches to solo guitar.
Does this volume contain pieces for solo guitar?
All pieces are intended for solo guitar. The repertoire is classical in style and notably includes dances, evocations, and modern-colored pieces.
Which guitar techniques can be practiced with this repertoire?
The scores address articulation, balance between melody and accompaniment, positions, and rhythmic precision. Titles such as "Effets De Harpe" and "Doctor Harms And Mister Pizz" also focus on sound colors and right-hand effects. Tone quality is one of the targeted areas for development.
Can these pieces be used for a guitar recital?
The selection is designed to form an audition and concert repertoire with short pieces. It can also complement a method or renew sight-reading exercises.



