Universal Edition Duette Für Altblockflöten aus der Französischen Barockmusik
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Summary of This Score
This score offers a collection centered on the "sonata" form within early music, featuring a selection of pieces attributed to four major composers. You will find two sonatas by Nicolas Chédeville, including the sonata "L'Italienne," as well as a piece by Thomas Morley, "Sweet Nymph, Come To Thy Lover," which provides a different perspective through its language and character. The collection continues with three sonatas by Jacques-Cristophe Naudot (Sonata I, II, III) and three sonatas by Michel Blavet (Sonata I, II, III), offering an immersion into complementary worlds, between French elegance, sense of line, and rhythmic vitality.
Designed for long-term musical work, this program allows you to approach phrase construction, motif breathing, balance between singing and movement, as well as the search for colors and affects specific to each piece. By moving from one composer to another-or by exploring several sonatas by the same author-you develop a finer understanding of styles, intentions, and interpretative reflexes essential to Baroque music and, more broadly, to the early music repertoire.
Technical specifications
| Musical Genre | Rock | Publication | Sheet music |
| Composer | Nicolas Chédeville / Thomas Morley / Jacques-Cristophe Naudot / Michel Blavet | ||
Questions frequently asked
Which works are included in this collection for two alto recorders?
The collection features two sonatas by Nicolas Chédeville, including "L'Italienne," as well as "Sweet Nymph, Come To Thy Lover" by Thomas Morley.
How many sonatas by Naudot and Blavet are included?
Three sonatas by Jacques-Christophe Naudot (I, II, and III) and three sonatas by Michel Blavet (I, II, and III) are listed.
Is the Duette Für Altblockflöten aus der Französischen Barockmusik score focused on French baroque music?
The selection falls within early music and brings together Chédeville, Naudot, and Blavet, three composers associated with the French repertoire. The piece by Thomas Morley adds a different style and character to the program.
What interpretative aspects can be worked on with these sonatas?
Studying these pieces allows exploration of phrase construction and breathing in motifs. Work also concentrates on the balance between singing and movement. The search for colors and affects specific to the works is also emphasized.
Is there a sonata titled "L'Italienne" in this edition?
Yes, "L'Italienne" is part of the two sonatas by Nicolas Chédeville included in the score.
