Universal Edition Strauss Richard - Lieder Vol 1 - Voix Hautes
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Summary of This Sheet Music
This collection brings together eleven melodies by Richard Strauss, carefully identified by their references (opus and number) to facilitate research and organization of practice. You will find an expressive journey highly representative of Strauss's art of the Lied: the lyrical impulse of "Zueignung" (op. 10/1), the nocturnal atmosphere of "Die Nacht" (op. 10/3), the suspended poetry of "Morgen!" (op. 27/4), as well as lighter and more narrative pieces like "Für fünfzehn Pfennige" (op. 36/2). The set allows exploration of different vocal colors, textual intentions, and musical moods, from the most intimate singing to more assertive lines, with particular attention to phrasing, projection, and precision of the German language. A solid foundation for repertoire study, voice lessons, audition preparation, and the creation of a coherent recital.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Richard Strauss | Language | German |
| Genre | melodies (Lieder) | ||
Questions frequently asked
Which Richard Strauss Lieder are included in this volume?
The collection brings together eleven songs, including "Zueignung" op. 10/1, "Die Nacht" op. 10/3, and "Morgen!" op. 27/4. "Für fünfzehn Pfennige" op. 36/2 is also included in the selection.
Is this Strauss score in German?
The eleven Lieder are in the German language, with a focus on precise text and phrasing.
Is Richard Strauss Lieder Vol 1 suitable for high voices?
The edition is intended for high voices, as indicated by its title. It covers moods ranging from intimate singing to more assertive lines. The volume thus allows exploration of different vocal intentions across eleven songs.
Which opus references are present in the collection?
The selection notably includes opus 10, 27, and 36, with specific references such as op. 10/1, op. 10/3, op. 27/4, and op. 36/2.
For what vocal work are these Strauss Lieder intended?
This score can be used in singing lessons, audition preparation, or recital programming, notably thanks to "Morgen!" op. 27/4 and "Zueignung" op. 10/1.



