Waves API 560
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Waves
https://www.waves.com
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What Waves API 560 Is For
Waves API 560 is a graphic equalizer plugin designed to get straight to the point: you push a fader and immediately hear the result. It excels on rich and complex sources where clear and well-defined shaping is sought, without making the sound harsh or muddy. It's an excellent choice for equalizing drum overheads, pianos, guitars, as well as for adding weight to a bass, opening up vocals, or reinforcing a bus without losing naturalness.
Its "graphic" approach makes it very effective in mixing for broad corrections, quick boosts, or deliberate tonal choices. And since the API 560 also has a strong live history, it adapts equally well to performance and FOH contexts (where decision speed is essential) as to studio productions where elegant curves and a sense of headroom are desired.
Main Features
Proportional Q: precision when boosting, smoothness when cutting
The sonic core of the Waves API 560 is based on a Proportional Q topology: the bandwidth narrows as gain increases. In practice, this allows it to remain musical and "forgiving" for quick adjustments, while gaining precision when strongly emphasizing a frequency area. The result: adding substance and clarity while limiting excessive coloration related to phase shifts.
10 octave-spaced bands from 31 Hz to 16 kHz: immediate spectral reading
With its 10 frequencies spaced an octave apart (from 31 Hz to 16 kHz), the API 560 encourages quick decisions: boosting bass, cleaning low-mids, projecting presence, or adding air. This architecture is ideal when shaping an overall color, creating a clear contour in a busy arrangement, or simply restoring balance in seconds.
Better control of the critical zone around 0 dB
For fine tuning, the plugin offers additional resolution in the +/- 4 dB zone, where most subtle adjustments occur. This helps precisely dose presence, attack, or brightness without going overboard.
Analog Mode: from modern to vintage on demand
When you want to switch from a clean contemporary sound to a more "vintage" signature, activate the Analog switch to introduce authentic harmonic distortion and slight hiss. An important workflow point: the analog circuit emulation can remain active even with the EQ bypassed, handy for comparing the impact of color alone or maintaining a consistent grain on a track.
Output section: phase and level to fit the processing into the mix
The Waves API 560 includes phase inversion and level control up to +/- 18 dB. Ideal for compensating a global boost, adjusting gain staging, or quickly checking phase coherence on multi-mic takes (e.g., overheads, snare, and room), without multiplying utility plugins.
Technical specifications
| Type | Full software |
| Downloadable | Yes |
| Analog switch | subtle harmonic distortion and hiss |
| Systems | macOS Catalina 10.15, Big Sur 11, Monterey 12, Ventura 13, Sonoma 14 |
| Memory | 8 GB |
| Disk space | 16 GB |
| Processor | Intel or Silicon architecture |
| Plugin | Waves API 560 |
| Additional Media | Additional Media |
Questions frequently asked
Is the Waves API 560 compatible with Apple Silicon Macs?
Compatibility is declared with both Intel and Apple Silicon processors, under macOS Catalina 10.15 to Sonoma 14. Installation requires 8 GB of RAM and 16 GB of disk space.
How does the Proportional Q work on this equalizer?
Proportional Q narrows the bandwidth as the applied gain increases. Moderate corrections remain wide, while significant boosts target a more precise frequency range.
Which frequencies can be adjusted with the API 560?
Ten bands spaced one octave apart cover a range from 31 Hz to 16 kHz.
Can the Analog mode remain active when the EQ is bypassed?
The Analog switch introduces subtle harmonic distortion and hiss. This emulation can remain active when the equalization is bypassed, allowing assessment of the analog coloration effect alone.
Is there a phase and output level adjustment?
A phase inversion is included, with an output level control adjustable over a range of +/- 18 dB. This section allows compensation of overall gain after EQ and control of phase coherence across multi-mic setups.




