Waves Manny Marroquin Reverb
Estimated Shipping Widget will be displayed here!
Essential Information About the Waves Manny Marroquin Reverb Software
Essential Information About the Waves Manny Marroquin Reverb Software
- Complete reverb chain inspired by Manny Marroquin's workflow: reverb + compression + EQ + creative effects, all combined in a single plugin.
- 18 space variations (6 types of reverb with 3 sizes each) to switch from a tight ambiance to wide, cinematic tails.
- Reverb that "holds in the mix" thanks to an integrated compressor (slow attack, fast release) and a 3-band EQ designed to sculpt the reverb.
- 37 presets created by renowned engineers for quick starts and exploring modern textures.
Manufacturer Information
Waves
https://www.waves.com
------------------------
Safety manager:
Woodbrass.com
Email: support@woodbrass.com
Address:
What is Waves Manny Marroquin Reverb for?
Waves Manny Marroquin Reverb is a reverb plugin oriented towards modern mixing: it doesn't just add a room around a sound, it offers a "complete chain" approach to build a reverb that immediately sits in the right place within a mix. On a lead vocal, it allows creating controlled and clear depth; on backing vocals, synths, guitars, or claps, it helps achieve wider spaces while maintaining definition.
Thanks to its integrated processing sections, it suits pop, hip-hop, RnB, and electronic productions as well as more organic contexts whenever you seek a sculpted reverb (not just "realistic"). It can be used as an insert to radically shape a sound or on an effects bus to share the same reverb character across multiple tracks.
Main Features
6 types of reverb, 3 sizes each: 18 ready-to-mix ambiances
The core of the plugin is based on 6 types (Hall, Room, Plate, Chamber, Space, Ambience) each available in 3 sizes, with distinct reverb algorithms. This setup is ideal for quickly choosing a character (bright plate, compact room, spacious hall) and then refining the space dimension without breaking the overall balance. You can move from a short, intimate reverb to a more spectacular depth while maintaining consistent behavior.
Placement control: pre-delay and "musical" reverb time
The Pre-Delay goes up to 500 ms, which facilitates separation between the sound's attack and the start of the reverb, especially on vocals and snares. The time multiplier (50 to 200 percent) allows lengthening or shortening the reverb tail without starting from scratch, useful for syncing the tail to a tempo, thickening a chorus, or tightening a verse.
Built-in EQ and compression: a reverb that stays clear
The EQ section offers wide shelves in the low and high frequencies, as well as a wide mid bell to shape the body of the reverb. This helps avoid "muddy" low-mids, reduce harsh reverb sibilance, or conversely make a reverb more present without raising the level.
The integrated compressor (slow attack, fast release) serves to control the dynamics of the reverb: you can smooth an overpowering tail, stabilize an ambiance on a very expressive vocal, or enhance the sense of density without saturating the mix. This is a key asset for achieving a polished reverb ready for current productions.
Creative section: modulation and saturation "in the right place"
Beyond the reverb, the plugin incorporates a decidedly creative approach. The thru-zero flanger provides a silky "tape flanging" type modulation and can even be used without reverb to directly color the source. The parallel distortion adds a diffuse texture, described as a kind of reverb "fog," useful for thickening backgrounds, dirtying a reverb tail in a controlled way, or creating transition effects.
Result: instead of stacking multiple plugins to get a signature reverb, you maintain a fast and coherent workflow, with sound design possibilities ranging from simple depth to clearly textured tails.
Professional presets for a quick start
The 37 presets included (notably by Ross Hogarth and Tony Maserati) provide effective starting points for vocals, instruments, and effects. They help understand the plugin's logic: type/size choice, placement via pre-delay, and sculpting via EQ, compression, and creative section.
Technical specifications
| Type | Full software | Downloadable | Yes |
| Systems | macOS Catalina 10.15, Big Sur 11, Monterey 12, Ventura 13, Sonoma 14 | Flanger | thru-zero, usable with or without reverb |
| Memory | 8 GB | Distortion | parallel distortion to thicken and texture the reverb |
| Disk Space | 16 GB | Pre-delay | up to 500 ms |
| Processor | Intel or Silicon architecture | Time multiplier | 50 to 200 percent |
| Reverb types | Hall, Room, Plate, Chamber, Space, Ambience | Usage | works as insert or on effects bus |
| Reverb sizes | 3 sizes per type (18 variations total) | Plugin | Waves Manny Marroquin Reverb |
| EQ | wide low and high shelves + wide mid bell | Presets | 37 presets (including Ross Hogarth and Tony Maserati) |
| Compression | slow attack, fast release | Additional Media | included |
Questions frequently asked
Is Waves Manny Marroquin Reverb compatible with macOS Sonoma?
The announced compatibility covers macOS Catalina 10.15 to Sonoma 14, on Intel or Apple Silicon processors. 8 GB of RAM and 16 GB of disk space are required.
What types of reverbs are available?
Six algorithms are offered: Hall, Room, Plate, Chamber, Space, and Ambience. Each comes in three sizes, for a total of 18 ambiance variations.
What pre-delay range can be set?
Pre-delay can reach up to 500 ms to separate the source's attack from the onset of the reverb.
Does the reverb include an EQ and a compressor?
An EQ section includes broad shelves in the low and high frequencies, as well as a wide mid bell. The built-in compressor uses a slow attack and fast release. The time multiplier ranges from 50 to 200% to adjust the tail length.
Is it possible to create modulation effects with this plugin?
A thru-zero flanger is integrated and can operate without reverb. Parallel distortion also allows thickening and texturing the reverb, while 37 presets are provided.




