Waves Manny Marroquin Triple D
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What you need to know
What you need to know
- Corrects only when necessary: dynamic EQ-type processing that attenuates problematic frequencies only when they occur, preserving a natural voice.
- 3 issues targeted in a single plugin: independent reduction of "boxy" resonances, "harsh" hardness, and "sibilant" sibilance.
- Ultra-fast workflow: dedicated listen buttons and section bypass to fine-tune precisely without wasting time.
- Designed with Manny Marroquin: developed with the multi-award-winning mix engineer, tailored for modern vocals in production and post-production.
Manufacturer Information
Waves
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What is Waves Manny Marroquin Triple D for?
Waves Manny Marroquin Triple D is a vocal correction plugin designed to clean up a vocal take without altering its character. Whereas a traditional EQ cuts continuously (even when the flaw is not present), Triple D acts in an intelligent and conditional manner to attenuate resonances and harshness at the right moment. It is suitable for vocal mixes (pop, rap, RnB, rock) as well as spoken content such as podcasts, voice-overs, and broadcast productions, where clarity and listening comfort are priorities.
Main Features
Dynamic correction of vocal flaws
Triple D is based on a principle similar to dynamic EQ, but with a "results-oriented" approach: you target the problematic area and set a threshold, then the plugin automatically reduces the excess only when it occurs. The result: a more stable voice, less nasal or aggressive, while preserving timbre and intelligibility.
Three independent modules: boxy, harsh, sibilant
The plugin offers separate controls to address three common problem categories: the "boxy" effect (build-up of low-mids), harshness in the upper mid/high frequencies, and sibilance. Each section has a threshold control to trigger attenuation and frequency trims to precisely select the area to control. This allows you to fix a dull and resonant voice, a too biting voice, or overly sibilant diction without multiplying plugins.
Listening, measurement, and comparison: reliable adjustment
To work quickly and accurately, Triple D includes "Listen" buttons that isolate each process so you can hear exactly what you are removing. An attenuation meter visualizes the reduction applied to the selected frequency, and bypass buttons per section allow instant before/after comparison. This is particularly useful for fine-tuning and avoiding over-correction, both in mixing and post-production.
Technical specifications
| Type | Full software | Downloadable | Yes |
| Mac | macOS Catalina 10.15, Big Sur 11, Monterey 12, Ventura 13, Sonoma 14 | Attenuation meter | displays the reduction applied to the selected frequency |
| Windows | Windows 10 64-bit and Windows 11 | ||
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Questions frequently asked
Is Waves Manny Marroquin Triple D compatible with Windows 11 and macOS Sonoma?
Compatibility covers macOS Catalina 10.15, Big Sur 11, Monterey 12, Ventura 13, and Sonoma 14, as well as Windows 10 64-bit and Windows 11.
How to correct a nasal or resonant vocal sound with this plugin?
The Boxy module targets low-mid buildup responsible for the “boxy” effect. A threshold setting triggers attenuation only during excesses, while the frequency trim allows targeting the concerned area.
Can it reduce sibilance in a sung vocal?
The Sibilant section is dedicated to controlling sibilance. Its threshold sets the activation of reduction. The frequency trim allows adjusting the processed range according to the recorded diction.
Is it suitable for processing podcast and voice-over vocals?
For podcasts, voice-over, and broadcast productions, the Boxy, Harsh, and Sibilant modules allow controlling resonances, harshness, and sibilance. The Listen buttons isolate each processing to precisely hear the frequencies removed.
How to monitor the applied reduction during mixing?
Each section has a bypass to compare processed and unprocessed signals. The attenuation meter displays the reduction applied at the selected frequency.
