XVive U7 Saxophone And Trumpet Wireless System
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X-vive
https://www.xvive.com
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Safety manager:
Hol Music Dral SLU
Email: info@holmusic.es
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From Static Microphone to Wireless Clip-On: An Evolution Designed for Brass Instruments
On stage, brass instruments have long been amplified with static microphones, which are effective but demanding: precise placement, risk of bleed, bulkiness, and limited freedom of movement. The "clip-on" format changed the game by bringing the capsule closer to the bell, and wireless technology has definitively freed playing by eliminating cable constraints. This system follows this modern logic: quick setup, consistent sound capture from one concert to another, and a compact solution that follows the musician rather than the other way around.
For Which Musicians and Playing Situations?
Designed for saxophonists, trumpeters, trombonists, and tubists, this wireless microphone system is ideal for orchestras, brass bands, jazz bands, funk, or any ensemble where mobility and mix clarity matter. It is also well suited for teachers and traveling ensembles thanks to its quick setup, as well as content creators seeking stable sound during rehearsals or outdoor performances. The clip dedicated to the bell secures the installation, while the gooseneck allows precise positioning even when the instrument moves.
Detailed Sound, Reliable Grip, a More Relaxed Stage
Supercardioid Directivity: More Focus, Less Leakage
The supercardioid capsule is a real asset for brass instruments: it favors the targeted source and helps reduce leakage from other instruments, a key point on crowded stages or noisy environments. The result: a more usable sound both front-of-house and in monitors, and better feedback control. The gooseneck allows adjusting the distance and angle of the sound capture as close as possible to the bell to recover attacks, brilliance, and the timbre's personality.
2.4 GHz Digital Transmission: Playing Comfort and Clarity
The 2.4 GHz digital link delivers a clean signal, with 24-bit/48 kHz processing to preserve dynamics and nuances, from pianissimos to the most pronounced accents. With latency under 5 ms, the feel remains natural both under the fingers and to the ear, even on fast passages or very marked articulations. The 6 channels facilitate the use of multiple systems simultaneously within the same ensemble.
Tailored for Brass: High Acoustic Pressure and Useful Accessories
Brass instruments can generate high levels at the bell: this system handles up to 142 dB SPL, which helps maintain a clear sound during powerful passages. Outdoors, the two windshields (foam and furry) secure the sound capture against gusts and movement. Finally, the advertised battery life of up to 5 hours and practical range up to 27 m offer true freedom for mobile performances, parades, or large stages, while keeping a simple configuration: transmitter, receiver, microphone, and you play.
Technical specifications
| Category | Complete system | Capsule | static |
| Number of channels | 6 | Category | wireless microphone system |
| Directivity | supercardioid | Frequency band | 2,4 GHz |
| Wireless range | up to 27 m | Signal-to-noise ratio | 108 dB |
| Frequency response | 20 Hz - 20 kHz | Maximum level | 142 dB SPL |
| Dynamic range | 108 dB | Battery life | up to 5 hours |
Questions frequently asked
Is the XVive U7 compatible with saxophone and trumpet?
This system is designed for saxophone, trumpet, trombone, and tuba. The clip attaches to the bell and the gooseneck allows positioning of the condenser capsule.
What is the wireless range of the XVive U7 brass system?
The wireless range reaches up to 27 m in the 2.4 GHz band. The battery life is rated up to 5 hours maximum.
Can the microphone handle the high power levels of a trumpet?
The capsule can handle a maximum level of 142 dB SPL, suitable for the high sound levels produced at the bell of brass instruments.
How many U7 systems can operate simultaneously?
The 2.4 GHz transmission provides 6 channels. This configuration facilitates using multiple systems together in an ensemble. The signal is processed in 24-bit/48 kHz digital with latency under 5 ms.
Does the microphone reduce stage bleed?
Thanks to its supercardioid polar pattern, the capsule focuses on the source placed in front of it and reduces spill from other instruments. Two windshields, foam and furry, are supplied for outdoor performances.



