Yoman MPP008 - RAKATAK (PAIR)
Estimated Shipping Widget will be displayed here!
- This item is covered for 3 years
Couldn't load pickup availability
Information
Information
Manufacturer Information
Yoman
https://www.yoman.fr
contact@yoman.fr
------------------------
Safety manager:
YOMAN
Email: contact@yoman.fr
Address:
Historical Context and Positioning in the Range
The Rakatak belongs to the large family of idiophones and traditional rattles from West Africa, where the calabash holds a central place in the making of instruments that are both robust, lightweight, and highly expressive. Originating from Ghana, it reflects a handcrafted approach to percussion: natural materials, a simple yet effective design, and a sound that serves the collective rhythm. Within a "world" percussion range, the Rakatak positions itself as an authentic and organic instrument, sought after for its tonal color and its ability to support a rhythmic pattern with an immediately recognizable signature.
Who This Percussion Instrument Is For
The Rakatak is suitable for beginners, as well as intermediate and advanced percussionists. Beginners will appreciate its obvious grip and the speed with which a musical result is achieved: a simple rocking motion is enough to create a steady rhythmic flow. More experienced musicians will find a field of expression to work on nuance, accentuation, and timing, by playing with speed, amplitude, and orientation of the gesture. Stylistically, it naturally fits into afro, world, afrobeat, reggae, or fusion contexts, but also finds its place in acoustic music, educational workshops, circle songs, or as a percussive texture in the studio when seeking a lively grain, less "smooth" than a standard shaker.
Features and Innovations
The Rakatak's sound principle is based on a very natural mechanism: several calabash discs are attached along a narrow wooden rod, the whole connected to a thicker handle that serves as a grip. In playing, the instrument is held by the handle and sound is produced by a forward/backward or up/down rocking motion. This gesture transforms the energy of movement into impacts and friction between the elements, generating a rich percussive sound with a quality that is both "dry" and textured. The sold in pairs format opens several possibilities: alternating right/left hand playing for fast patterns, layering patterns (one instrument on steady pulse, the other on offbeats), or a dialogue of dynamics if the two pieces present slight natural variations in material, typical of handcrafted production.
Sound Characteristics
The calabash is a well-known percussion material for its balance between lightness and sound response: it brings an organic grain, a rather clear attack, and a texture that stands out easily in an ensemble. On the Rakatak, the calabash discs generate a sound sensation close to an "articulated" rattle, with a clear definition of transients when the gesture is sharp, and a smoother rendering when the movement is broad and regular. This provides a palette ranging from a discreet, almost "whispered" accompaniment to a more pronounced presence, ideal for supporting a rhythmic cell.
The wood (rod and handle) plays an essential role in stability and vibration transmission: holding the instrument by a thicker handle helps maintain precise control of the gesture, which directly impacts rhythmic accuracy and flow regularity. By modulating the rocking speed, one influences the intensity and density of impacts; by changing the angle (vertical or horizontal), one modifies the attack sensation and how the sound "catches" the air. The result: an expressive percussion, perfect for adding depth to a groove, emphasizing a chorus, or bringing a "live" signature to an acoustic instrumentation.
Technical specifications
| Instrument size | Small |
| Type | shaker |
| Material | natural gourd |
| Color | Natural |
| Finishing | Natural |
| Instrument | percussion (idiophone / traditional rattle) |
| Origin | West Africa, Ghana |
| Manufacture | made in Africa |
| Discs | calabash |
| Assembly | several calabash discs attached to a narrow wooden rod |
| Handle | rod joined to a thicker piece of wood (handle ) |
| Sound production | held by the handle, rocking motion forward/backward or up/down |
| Usage | rhythmic accompaniment, percussive textures, "world" ensembles, education |
| Sold | in pairs |
Questions frequently asked
Is the Yoman MPP008 sold individually or as a pair?
The Yoman MPP008 is supplied as a pair, with two rakataks to be played separately or simultaneously.
What materials make up this traditional Ghanaian shaker?
Several calabash discs are fixed along a narrow wooden rod. This rod is attached to a thicker wooden handle designed for holding.
How is a calabash rakatak played?
Sound production is achieved by holding the handle and rocking it back and forth or up and down. The calabash discs then produce impacts and friction noises. The speed, amplitude, and direction of the movement modify the intensity and rhythmic density.
What sound character does the Yoman MPP008 Rakatak offer?
The calabash discs provide a sharp attack and an organic grain, similar to an articulated shaker. A sharp gesture accentuates the transients, while a broad movement yields a smoother sound.
For which styles and uses is this rakatak suitable?
This instrument is used in Afro, world, Afrobeat, reggae, or fusion repertoires, as well as in acoustic music. The pair allows creating pulses, offbeats, or percussive textures in ensembles, studios, and educational workshops.



