Zen-On Music Music Bach Johann Sebastian - 4 Sonatas For Violin And Harpsichord - Flute A Bec Alto
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Summary of This Score
This edition offers an adaptation for alto recorder and harpsichord obbligato of Johann Sebastian Bach's famous sonatas from the BWV 1014 to 1019 cycle, here gathered around BWV numbers 1014, 1016, 1017, and 1019. Originally conceived as "reinvented" trio sonatas (two melodic voices plus bass) thanks to the highly elaborate harpsichord writing, they become, in this transcription, a privileged ground for developing listening and rhythmic precision between the two partners.
The alto recorder finds a repertoire that is both expressive and demanding: singing lines, rapid passages, sequences, anticipated breaths, and the pursuit of a homogeneous sound across the entire range. The harpsichord, far from a mere accompaniment, carries a rich contrapuntal material that highlights baroque structure, harmony, and rhetoric. This collection is thus aimed at duos wishing to work on chamber music with a true stylistic rigor, emphasizing voice clarity, articulation, and sense of discourse.
Transcription of BWV 1014, 1016, 1017, and 1019 for alto recorder and harpsichord obbligato
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Johann Sebastian Bach | Genre | Baroque score |
| Instrumentation | Alto recorder and harpsichord obbligato | ||
Questions frequently asked
Which Bach sonatas are included in this collection for alto recorder?
The edition gathers four sonatas by Johann Sebastian Bach: BWV 1014, BWV 1016, BWV 1017, and BWV 1019. They are transcribed for alto recorder and harpsichord obbligato.
Is this Bach BWV 1014-1019 score intended with harpsichord?
The four sonatas require a harpsichord obbligato, featuring an elaborate contrapuntal texture.
What level of work does the alto recorder part demand?
The harpsichord is not limited to accompaniment: it participates in the two melodic voices and the bass line of the trio texture. The alto recorder part includes lyrical lines, fast passages, and sequences. Breath control and tone consistency across the range are part of the required work.
Does the harpsichord have an independent part in these sonatas?
The alto recorder dialogues with a harpsichord obbligato in BWV 1014, 1016, 1017, and 1019. The harpsichord writing highlights the harmonic structure and Baroque counterpoint.
For what type of ensemble is this transcription designed?
This transcription is intended for an alto recorder and harpsichord duo. The collection emphasizes rhythmic precision, articulation, and clarity of voices.



