Zimmermann Anonymus (boccherini?) - Quintett NR. 3 C-dur
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Zimmermann
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Summary of This Score
This score presents a string quintet with a unique identity, whose authorship remains subject to debate. The manuscript, preserved in a musical archive in Madrid, is catalogued under the name Luigi Boccherini. However, doubts persist regarding this attribution, and the editorial work conducted by Ingo Gronefeld suggests rather the name Franz Anton Hoffmeister. This dual perspective, both musicological and historical, adds further interest to the study and interpretation of the work, inviting the ensemble to explore the style and aesthetics of a pivotal repertoire.
Beyond the question of the composer, the essential aspect is musical: this is a particularly successful chamber music piece, with an expressive language and demanding structure. The writing highlights all sections equally, without a fixed hierarchy, entrusting each instrument with rich and "appreciative" solo passages: singing lines, dialogues, agility figures, and harmonic support. Intended for ensembles of good level, this work is perfectly suited for experienced chamber groups seeking new, less frequently performed scores capable of bringing genuine program renewal in concerts, auditions, or repertoire work.
Technical specifications
| Musical Genre | Classical | ||
| Editor | Herausgegeben von Ingo Gronefeld | Year of publication | 2008 |
| Instrumentation | Flute, violin, viola, cello, and double bass | ||
Questions frequently asked
What is the instrumentation of this quintet?
The score is written for flute, violin, viola, cello, and double bass.
Is this score attributed to Boccherini?
The manuscript preserved in a musical archive in Madrid is listed under the name Luigi Boccherini. However, the edition prepared by Ingo Gronefeld suggests a possible attribution to Franz Anton Hoffmeister. This question of authorship is part of the musicological context of the work.
What level is required to play this flute quintet?
The writing is intended for ensembles of good level. Each section receives solo passages, with singing lines, dialogues, and agility figures.
Who edited Quintett Nr. 3 C-dur?
The edition is by Ingo Gronefeld, under the mention 'Herausgegeben von Ingo Gronefeld'. The publication dates from 2008.
For what type of chamber music program is this work suitable?
This classical piece can be included in a concert, audition, or repertoire study program. The five-instrument ensemble benefits from writing without fixed hierarchy between the parts.
