Amadeus Janitsch J. G. - Quadro in G-Dur - Altblockflöte oder Querflöte Oboe Violine und Bc.
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Summary of This Score
With "6 Sonaten - Band I: Sonaten 1-3," GALLIARD, John Ernest (c. 1680-1749) offers a triptych of Baroque sonatas where the dialogue between the solo voice and the basso continuo forms the core of the musical discourse. These pieces fit within the aesthetic of the chamber sonata: alternating contrasting movements, expressive melodic lines, and passages that invite attention to both virtuosity and cantilena.
Designed for the recorder, this edition also adapts to the transverse flute or oboe, making it a valuable resource for teachers as well as instrumentalists wishing to expand their repertoire. The presence of the Bc. (basso continuo) encourages precise work on realization and coordination with the harpsichord, organ, or any harmonic instrument, supported by a bass instrument (cello, viola da gamba, bassoon, etc.). A particularly relevant score for approaching Baroque rhetoric, balance of sound layers, and building a stylistically informed interpretation.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | John Ernest Galliard | Genre | Baroque sonatas |
| Instrumentation | Blockflöte (Querflöte, Oboe) and Bc. (basso continuo) | ||
Questions frequently asked
Does this sheet music suit the alto recorder?
The indicated instrumentation includes the Blockflöte, that is to say, the recorder, with basso continuo.
Can these sonatas be played on the transverse flute or oboe?
The transverse flute and oboe are mentioned as alternatives to the recorder. A basso continuo part is still planned for the accompaniment.
What ensemble is required to perform this edition?
The solo part can be assigned to the recorder, transverse flute, or oboe. The basso continuo can be realized by a harpsichord, organ, or another harmonic instrument. A bass instrument such as cello, viola da gamba, or bassoon can support this realization.
Does the Galliard 6 Sonaten Band I collection contain multiple sonatas?
The description states "6 Sonaten - Band I: Sonaten 1-3", that is, the first three sonatas of the first volume.
What musical style is addressed in these sonatas?
The writing belongs to the Baroque sonatas, with contrasting movements and a dialogue between the solo line and basso continuo. The focus is notably on the cantilena, Baroque rhetoric, and ensemble coordination.



