Austrian Audio OC-B6
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Manufacturer Information
Austrian Audio
https://www.austrian.audio
support@austrianaudio.com
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DPA France
Email: info-fr@dpamicrophones.com
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Essential Information About the Austrian Audio OC-B6 Kick Drum Microphone
- Large diaphragm condenser microphone specifically designed for kick drum recording, delivering precise and natural reproduction.
- Exceptional level handling up to 170 dB SPL to capture impact without saturation or audible distortion.
- Intentionally unprocessed sound (no pre-equalization) to maintain a pure signal that is easy to shape during mixing.
- Ultra-simple placement thanks to the 220-degree rotatable head and compact design with integrated microphone threading (no clip needed).
A New "Condenser" Standard Dedicated to Kick Drums in the Austrian Audio Range
The OC-B6 represents a different approach from traditional kick drum microphones: here, Austrian Audio focuses on a true large diaphragm condenser optimized for extreme acoustic pressure levels, aiming for a more detailed and faithful capture. Handmade in Vienna and based on the CKR6-B capsule, it targets an authentic result without imposed coloration, allowing the engineer to choose the artistic direction, from vintage warmth to modern attack.
For Studio and Stage: A Unique Kick Mic with Multiple Placement Options
The OC-B6 is designed for sound engineers, drummers, and live technicians who want a kick drum microphone that remains consistent regardless of the setup. It works equally well outside the drum shell for full bass, at the port for a balanced attack-body mix, or inside the drum to maximize punch and definition. This versatility avoids the need to change microphones depending on style (rock, metal, pop, funk) or configuration (fast live setups, demanding studio sessions).
Designed for Impact: Precision, Punch, and Total Control in the Mix
A "Clean" and Malleable Signal
Unlike many pre-equalized kick mics, the OC-B6 maintains a pure sound without imposed curves. The result: you sculpt the low end, attack, and click exactly as you want, with a detailed foundation that responds well to equalization and compression.
CKR6-B Capsule: Built to Handle Pressure
The CKR6-B capsule is optimized for extreme levels, with a design that promotes stability under high acoustic pressure. Combined with handling up to 170 dB SPL, it captures the kick drum clearly, even with very powerful drummers or highly percussive kick drum settings.
Quick and Reliable Placement
Its 220-degree rotatable head and compact design facilitate positioning in tight spaces (hoops, stands, stage monitors). The integrated microphone threading enhances durability and speeds up setup, ideal for touring and sessions alike.
Technical specifications
| Frequency response | 18 Hz - 19 kHz | Capsule | externally polarized static |
| Category | wired microphone | Color | Grey |
| Directivity | cardioid | ||
| Polar pattern | cardioid | Power supply voltage | 48 V (less than 2.2 mA) |
| Frequency range | 18 Hz - 20 kHz | Main connector | 3-pin XLR |
| Sensitivity | 0.8 mV/Pa | Rotatable head | 220 degrees |
| Max. SPL | 170 dB SPL | Integrated microphone threading | no clip required |
| Subsonic filter | 25 Hz | Dimensions | 92 x 82 x 57 mm |
| Output impedance | 108 ohms | Weight | 280 g |
| Minimum load impedance | > 1 kOhm | Type | large diaphragm condenser (1 inch) |
Questions frequently asked
Does the Austrian Audio OC-B6 require phantom power?
48 V phantom power is required, with a current consumption under 2.2 mA.
Can this kick drum microphone handle very high sound pressure levels?
The externally polarized CKR6-B static capsule can handle up to 170 dB SPL. This capability allows capturing a very percussive kick drum without audible distortion.
What is the recommended placement for the OC-B6 on a kick drum?
The capsule rotates 220°, making it easy to position outside the shell, in front of the port, or inside. External placement favors a full bass sound. Internal placement targets more punch and definition.
Is the microphone sound already equalized for kick drum?
The signal is delivered without pre-equalization to maintain a neutral base for mixing. The frequency response covers 18 Hz to 20 kHz and includes a built-in subsonic filter at 25 Hz.
Is a mic clip needed to mount this model?
Thanks to the integrated mic thread, no clip is required to mount its 280 g weight on a stand or compatible mounting system.



