Prodipe PL21 Salmieri Percussions
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- This item is covered for 3 years
Essential Information About the PL21 Salmiéri Percussion Microphone
Essential Information About the PL21 Salmiéri Percussion Microphone
- 3-mic pack Series 21 designed for stage and mobile studio use.
- High-pressure electret capsule supporting up to 140 dB to preserve dynamics.
- Natural and linear sound that respects the timbre of your percussion instruments.
- Dual wired/UHF use with mini XLR to XLR adapter (48 V required) and dedicated bodypack compatibility.
Manufacturer Information
Prodipe
https://www.store.ipemusic.com
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SAS IPE Music
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From Series 21 to the stage: the Salmiéri spirit
Derived from Series 21, the PL21 Salmiéri was designed to meet the real constraints of percussionists on stage: high sound levels, multiple sources, and timbre requirements. Its electret capsule and balanced frequency response provide faithful reproduction, whether for tight skins, deep drums, or lamellophone and metallic resonance percussion.
For whom and for which percussion instruments?
Ideal for percussionists, drummers, and backliners seeking quick and stable capture. It adapts to congas, bongos, djembes, cajons, timpani, rototoms, tambourines, tablas, batas, darbukas, bendirs, bodhrans, toms, snares, drums, surdos, talking drums, udus, steel drums... Its discreet mounting allows multiple mic placements without weighing down the kit.
Technical specifications
| Frequency response - start | 50 Hz | Directivity | unidirectional |
| Frequency response - end | 20 kHz | Capsule | electret |
| Category | instrument microphone | Color | Black |
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Customer reviews
What customers say
Summarized and selected by AI from recent customer reviews
Percussion microphone kit praised for excellent sound reproduction on congas, bongos, and tabla. Customers said it offers "realistic rendering" and "faithful sound" at a reasonable price. Comes in a sturdy carrying case. Note: requires phantom power (not included). Main drawback is the clip jaw size being too small for some instruments.
Review highlights
- âAffordable microphones that sound great for percussionistsâ
- âSound engineers quickly make their settings in concert, without any problemsâ
- âVery realistic rendering and a very practical carrying caseâ
Based on 6 reviews
- 4 stars, 0 reviews
- 3 stars, 0 reviews
- 2 stars, 0 reviews
- 1 star, 0 reviews
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With these microphones used in concert, sound engineers make adjustments quickly, without any problem. Tried on various percussion instruments but also on a diatonic accordion: the result is faithful in all cases, as long as we have found the right positioning (the examples on the packaging are not the best!)
On this subject, we can however regret that the jaws of the pliers do not open enough to adapt to all cases: I had to mount a small square on my cajon (for the front sound recording) and on my pandeiro to be able to hang the clip. The windscreens provided are essential for outdoor use (wind sensitivity). In short, a set of 3 effective microphones at a low price. Reliability over time remains to be seen...Automatically translated
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Good little microphone kit in a small sturdy suitcase at a super reasonable price
Finally, cheap microphones that sound for percussionists
I did some sound recordings with they reproduce the sound of Bongo congas well, tablaAutomatically translated
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Good little microphone kit in a small sturdy suitcase at a super reasonable price
Finally, cheap microphones that sound for percussionists
I did some sound recordings with they reproduce the sound of Bongo congas well, tablaAutomatically translated
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Perfect bass panel on perceived instrument, I recommend despite the price.
Attention phantom power to be provided in additionAutomatically translated
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A very realistic rendering, and a very practical carrying case
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Questions frequently asked
Is the Prodipe PL21 Salmiéri suitable for congas and djembes?
This model is designed for recording congas, bongos, djembes, cajons, and many other percussion instruments. Its maximum sound pressure level of 140 dB allows capturing powerful hits without clipping.
Is phantom power required to use this wired microphone?
Wired use requires 48 V phantom power. A mini XLR to XLR adapter is supplied for connection to a microphone input.
Can the PL21 Salmiéri be mounted on a drum without damaging it?
The mount relies on a lightweight rubber clamp designed to protect the instrument. The flexible gooseneck allows positioning the capsule close to the drumhead or soundboard. This mount also helps isolate vibrations and reduce unwanted noise.
Can this percussion microphone operate on UHF?
A UHF connection is possible with a dedicated instrument bodypack, sold separately.
What is the frequency response of the PL21 microphone?
The electret capsule covers a frequency response from 50 Hz to 20 kHz. Its unidirectional pattern and sensitivity of -47 dB ±3 dB are specified for capturing percussion instruments.
