Austrian Audio OC818 Silver
Estimated Shipping Widget will be displayed here!
- This item is covered for 3 years
What you need to know
What you need to know
- Ultra-flexible polar patterns: omnidirectional, cardioid, supercardioid, and figure-8, with fine-tuning possible via the "PolarDesigner" plugin to adapt the capture to the mix.
- Handmade ceramic CKR12 capsule, inspired by the CK12, designed for high manufacturing consistency and easier stereo matching.
- Wide dynamic range: self-noise level below 10 dB SPL and handling of very loud sources up to 158 dB SPL with pad.
- True studio/broadcast/live "Swiss Army knife" microphone: built-in pads and high-pass filters to control proximity effect, vibrations, and unwanted low frequencies.
Manufacturer Information
Austrian Audio
https://www.austrian.audio
support@austrianaudio.com
------------------------
Safety manager:
DPA France
Email: info-fr@dpamicrophones.com
Address:
A Viennese Signature: Austrian Audio's Flagship Large Diaphragm Microphone
Designed and manufactured in Austria, the OC818 follows a "large diaphragm" tradition inherited from the references that made studios famous, while bringing a modern approach to workflow. It stands as the brand's premium model, featuring a handmade ceramic CKR12 capsule for remarkable mechanical and sonic stability. This consistency is a major asset when seeking two microphones with coherent sound for stereo takes (overheads, piano, room) or when multiplying placements on the same source.In cardioid mode, the OC818 can also be paired with the OC18, its more affordable "brother," to maintain appreciable tonal coherence in multi-microphone setups. The result: a microphone designed to last, to be repeatable from session to session, and to become a reliable reference point in a recording chain.
Who Is It For and What Are Its Uses?
The Austrian Audio OC818 is aimed at recording studios, sound engineers on location, broadcast environments, and content creators who want a large diaphragm microphone capable of adapting to very diverse contexts. Lead vocals, choirs, acoustic guitar, piano, drum overheads, brass, amplifier, room ambiance: its versatile polar patterns allow choosing the amount of proximity, air, and side rejection depending on the source and the room.Its very low self-noise favors fine and detailed recordings (intimate vocals, acoustic instruments, subtle room), while its ability to handle very high SPL levels secures close captures without harshness or unwanted saturation, provided pads and filters are used at the right time. It is also an excellent choice when repeatability matters: recurring sessions, studios, live recordings, or shared studios.
Key Features for a Modern Workflow
Classic polar patterns... and advanced control with "PolarDesigner"
The OC818 offers four switchable polar patterns (omni, cardioid, supercardioid, figure-8) to cover most professional placements. Where it goes further is with the ability to shape the polar response via the "PolarDesigner" plugin (Windows and Mac): the idea is to modulate the polar pattern by frequency bands to balance proximity effect, crosstalk, and ambient pickup while maintaining a clear reproduction.In practice, this facilitates choices in real conditions: a voice recorded in a lively room, an acoustic guitar where you want more body without capturing too much resonance, a stereo pair where you want to control width and rejection. This approach provides fine and musical control, especially useful when the acoustics are not ideal or when quick adaptation is needed.
Control of lows, shocks, and powerful sources
The microphone integrates three high-pass filter settings (40, 80, and 160 Hz) to clean up vibrations, rumble, or limit the boominess caused by proximity effect. Two pads (-10 dB and -20 dB) allow maintaining a clean capture on very energetic sources by avoiding preamp overload and keeping controlled dynamics. This is a real advantage on stage as well as in the studio when close placement is required.Regarding integration, its sensitivity of 13 mV/Pa and balanced output ensure a stable signal to any 48 V phantom-powered preamp. In stereo configuration, two OC818s naturally pair for coherent imaging, and all settings (polar pattern, pads, high-pass filters) allow quickly building a "ready-to-mix" take without sacrificing precision.
Technical specifications
| Frequency response - start | 20 Hz | Capsule | Large Diaphragm |
| Frequency response - end | 20 kHz | Connection | TA4M, XLR |
| Category | studio microphone | Color | Grey |
| Directivity | stereo, cardioid, figure-8, super-cardioid, Omni | ||
| Type | large diaphragm microphone | Self-noise level | < 10 dB SPL |
| Frequency response | 20 - 20,000 Hz | Signal-to-noise ratio | > 84 dB |
| Switchable polar patterns | omnidirectional, cardioid, supercardioid, figure-8 | Output impedance | 2x 275 Ohm (balanced) |
| High-pass filters | 40, 80, and 160 Hz | Input impedance | 1 kOhm |
| Attenuator pads | -10 dB and -20 dB | Power supply | 48 V phantom power |
| Sensitivity | 13 mV/Pa | Dimensions | 157 x 63 x 35 mm |
| Max SPL | 148 dB / 158 dB (with pad) | Weight | 0.36 kg |
Questions frequently asked
Austrian Audio OC818 Silver: what polar patterns are available?
Four switchable polar patterns are offered: omnidirectional, cardioid, supercardioid, and figure-8. The PolarDesigner plug-in, available for Windows and Mac, allows shaping the polar response by frequency bands. This feature helps adjust rejection and ambience level depending on placement.
Is this microphone suitable for recording vocals or acoustic guitar?
With a self-noise below 10 dB SPL and a sensitivity of 13 mV/Pa, it is suitable for detailed recordings of vocals and acoustic instruments. High-pass filters at 40, 80, and 160 Hz help reduce vibrations and proximity effect.
What settings should be used on drums or a loud amplifier?
The -10 dB and -20 dB pads allow handling high-level sources. The maximum SPL reaches 148 dB, or 158 dB with the pad engaged.
What power supply and connector are required?
48 V phantom power is required, with a balanced output and either XLR or TA4M connector.
Can it be used in a stereo pair with an OC18?
In cardioid mode, this model can be paired with the OC18 to maintain tonal consistency in multi-microphone setups. Two OC818 microphones can also be paired for stereo captures of piano, overheads, or room ambience.



