Barenreiter Bach J.S. - Concerto N°3 BWV 154 En Re Majeur Pour Clavecin et Cordes - Clavecin
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Summary of This Score
This edition offers a carefully prepared presentation of the work in an Urtext spirit, with attention to clarity and readability that facilitates both study and rehearsal preparation. The content is designed in a piano reduction/vocal score format, a particularly relevant choice for preparing entrances, working on musical balance, and accompanying practice sessions, while maintaining an overall view of the structure.
The mentioned instrumentation highlights a solo harpsichord accompanied by strings, a typical combination to explore articulated playing, voice leading, and the dialogue between soloist and ensemble. The edition is edited by Werner Breig, ensuring rigorous editorial framing and a layout adapted to practical use. Whether you are a harpsichordist, singer, or string player, this score provides a reliable basis for sight-reading, interpretation, and collective work.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Edition | Piano Reduction/Vocal Score; Urtext Edition (editor: Werner Breig) | Instrumentation | Solo harpsichord, strings |
Questions frequently asked
What instrumentation is specified for the Concerto BWV 1054?
The specified instrumentation includes a solo harpsichord and strings.
Is this edition of Concerto No. 3 BWV 1054 an Urtext edition?
This edition is presented in an Urtext spirit. The edition is prepared by Werner Breig. The layout aims for clear reading for study and rehearsals.
Is the material provided in a piano/vocal reduction?
The content adopts the Piano Reduction/Vocal Score format, also called piano/vocal reduction. This presentation allows work on entrances and musical structure.
For which Bach concerto is this edition intended?
The reference corresponds to Concerto No. 3 BWV 1054 in D major by J. S. Bach, for harpsichord and strings.
Is the score suitable for work with a string ensemble?
The piano/vocal reduction is designed to prepare rehearsals involving the solo harpsichord and strings. It facilitates identification of entrances and musical balance.



