Barenreiter Mattheson J. - Acht Sonaten Fur 3 Altblockfloten Op. 1/3-10 - Flute A Bec
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Summary of This Score
This score is designed for an ensemble of 3 alto recorders, with instrumentation indicated as "in f,g" (recorders in F and G). It is intended for musicians who wish to enrich their chamber music repertoire for recorder, develop rhythmic precision, and refine intonation within a small group. The choice of the Spielpartitur format facilitates reading during rehearsals: each player can maintain an overall view of the writing and anticipate entrances, which is particularly useful for stabilizing transitions, working on common breathing, and building a homogeneous phrasing. Thanks to its revised edition by Franz J. Giesbert, the layout promotes smooth reading, suitable for practice sessions as well as student recitals or concerts. A relevant resource for recorder classes, ensemble workshops, and any group seeking a clear, practical, and performance-oriented score.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Edition | Revision / Herausgeber: Franz J. Giesbert | Instrumentation | 3 alto recorders (in F and G) |
Questions frequently asked
For which recorders is this score written?
The instrumentation calls for 3 alto recorders, specified in F and G.
Is Acht Sonaten Op. 1/3-10 suitable for a recorder trio?
The writing is intended for an ensemble of three alto recorders. This formation allows for work on intonation and rhythmic precision in chamber music.
Is the score provided in separate parts or as a full score?
The Spielpartitur format offers an overall view of the writing. Each player can thus see the entrances of the three parts and prepare common breaths.
Who revised this Mattheson edition?
The edition was revised by Franz J. Giesbert.
Is this Mattheson score suitable for recorder lessons?
Its instrumentation for 3 alto recorders fits classes and ensemble workshops. The layout is designed to facilitate rehearsal work. It can also be used for student auditions or concerts.
