Behringer FLOW 4V
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Behringer
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FLOW Series: a modern recorder-mixer at the heart of a field workflow
The FLOW 4V is part of the FLOW Series with a very current approach to mobile sound: reducing adjustment constraints during recording (gain management), securing capture (pre-record, automatic copying), and streamlining integration into a video chain (triggering via HDMI, timecode, mobile control). It positions itself as a compact solution combining mixing, multitrack recording, and USB audio interface, to quickly move from shooting to editing or broadcasting.A tool tailored for video sound recording, interviews, and multicam
The FLOW 4V targets content creators, camera operators, sound engineers, lightweight crews, and mobile control rooms who need a reliable recorder and a complete mixer without bulk. The 4 mic inputs with phantom power allow powering shotgun, static, or lavalier microphones via receiver, while recording up to 10 channels ensures real flexibility (mix plus isolated tracks depending on workflow). On set, remote control via smartphone is especially useful when the device is mounted under a camera, on a tripod, or placed near talent to optimize cable lengths.Key features: level safety, advanced mixing, and field-oriented connectivity
32-bit float and dual-stage conversion: clean capture without gain stress
Thanks to 32-bit float recording and dual-stage conversion, the FLOW 4V limits situations where a bad gain setting ruins a take. The idea is simple: the capture tolerates large level variations, and you can readjust gain in post-production on float recordings. This is a major asset for unpredictable interviews, reports, or scenes where microphone distances vary. For more classic workflows, the device also offers 24-bit fixed point recording.Midas preamps, low noise, and high headroom
The 4 Midas mic preamps are designed to deliver a clean, detailed, and usable sound, with phantom power and an architecture focused on ultra-low noise and high headroom. Whether capturing spoken voices, ambience, or more dynamic sources, you benefit from a solid foundation for professional sound recording at 48 kHz.Complete 8-channel mixer: fine control even in a compact setup
Beyond recording, the FLOW 4V operates as an 8-channel digital mixer with essential tools to shape the signal: level, pan, low-cut, tone, high-cut, and dynamics. You can quickly clean handling noises, tame sibilance or resonances, and stabilize voice levels before headphone send or line output.Automix up to 8 channels: clearer dialogue without aggressive pumping
The device offers automix up to 8 channels based on a smooth gain-sharing algorithm. In practice, this helps keep speech in the foreground and reduces ambient noise buildup when multiple microphones remain open-a real plus for roundtables, conferences, filmed podcasts, or multi-speaker interviews.Field functions: pre-record, backup, and sync
To avoid missing the decisive moment, a pre-record buffer captures what happens just before pressing REC. Once recording stops, files on SD can be automatically copied to a connected USB drive to reduce loss risk and speed up transfer. For synchronization, the FLOW 4V can generate internal SMPTE timecode and has a stereo auxiliary input that can also receive a SMPTE clock to align the internal clock.Video integration and remote control
In camera setups, the FLOW 4V can receive a CEC signal via HDMI to trigger audio recording from a compatible camera. On the set communication side, it can also receive Bluetooth audio from a mobile device, useful for talkback or reference playback. Finally, the FLOW 4V MIX app (iOS/Android) provides remote control via Bluetooth LE, ideal for adjusting a mix, checking levels, or starting a take without touching the device.StageConnect: multichannel audio with ultra-low latency and possible expansion
The FLOW 4V integrates StageConnect for uncompressed multichannel audio transmission with sub-millisecond latency via a standard XLR/DMX cable. To go further, the optional StageConnect FLOW 4VIO adds 4 additional mic inputs, 2 headphone outputs, and remote power, useful when the shoot evolves to more microphones and more returns.Technical specifications
| Number of channels | 10 |
| Sampling frequency | 48 kHz |
| Max resolution | 32-bits |
| Headphone outputs | Yes |
| Inputs | USB, Jack, Minijack, Stereo mini jack, Bluetooth audio, XLR |
| Outputs | USB, Jack, 2 x headset, XLR |
| Color | Black |
| Category | digital mixers |
| Series | FLOW Series |
| Model | FLOW 4V |
| Functions | 8-channel digital mixer and 10-channel field recorder |
| Analog inputs | 4 |
| Mic preamps | 4 Midas preamps |
| Phantom power | yes (on mic preamps) |
| Digital inputs and sources | USB, Bluetooth, SDHC, StageConnect |
| Stereo auxiliary input | yes (can receive SMPTE clock) |
| Recording | up to 10 channels |
| Recording media | SD card |
| Automatic copy | SD files automatically copied to USB drive after recording stops |
| USB audio interface | class compliant |
| Recording resolution | 32-bit float or 24-bit fixed point |
| Sample rate | 48 kHz |
| Pre-record | pre-record buffer |
| Mixer | 8 channels |
| Per-channel controls | level, pan, low-cut, tone, high-cut, dynamics |
| Automix | up to 8 channels |
| Automix algorithm | smooth gain-sharing |
| Timecode | internal SMPTE generation |
| Clock synchronization | via stereo auxiliary input (SMPTE clock) |
| Recording trigger | via CEC video signal received on HDMI |
| Digital connections | USB-C, StageConnect, HDMI |
| Headphone output | 1 (stereo) |
| Line output | 1 (stereo) |
| App | FLOW 4V MIX |
| Platforms | iOS and Android |
| Connection | Bluetooth LE |
| Bluetooth audio | reception from mobile devices (talkback or playback) |
| Power supply | via USB-C (external) or via StageConnect |
| Power adapter | included |
| Mounting | built-in 1/4-20 thread for camera and tripods |
| Tool | integrated Allen key |
| Optional module | StageConnect FLOW 4VIO |
| Additions | remote power, 4 additional mic inputs, 2 headphone outputs |
Questions frequently asked
Does the 32-bit float of the FLOW 4V allow level recovery in post-production?
Recording is available in 32-bit float at 48 kHz, with two-step conversion. The gain can thus be readjusted in post-production on float files.
How many microphones can be connected with phantom power?
The four Midas microphone preamps feature phantom power. This setup supports condenser microphones, shotgun mics, or lavalier receiver units.
Does the mixer handle multiple speakers in a podcast or interview?
The digital mixer processes 8 channels with controls for level, pan, low-cut, tone, high-cut, and dynamics. Automix operates on up to 8 channels using a gain-sharing algorithm. This function reduces background noise when multiple microphones remain open.
Can the recorder be synchronized with a camera?
An SMPTE timecode generator is integrated, while the stereo auxiliary input can receive an SMPTE clock. Recording can also be triggered by a CEC signal received via HDMI from a compatible camera.
How to save recordings after a shoot?
Thanks to automatic copying, files recorded on the SD card can be transferred to a USB drive after recording stops.



