Behringer JN-80

Key facts about the JN-80 synthesizer

• 8-voice polyphonic analog synthesizer inspired by the legendary 1980s Juno-60
• Fully analog signal path with authentic DCOs, 3109 VCF filters and 662 VCA amplifiers
• 49 full-size keys with velocity, aftertouch, advanced Arpeggiator and polyphonic portamento
• Multistage BBD chorus, sub-oscillator and noise generator for ultra-rich pads, basses and leads

Historical context and position within the range

The JN-80 is a modern reinterpretation of an iconic 1980s classic, the famous Juno-60, drawing on its sonic character and straightforward operation. It retains the spirit of the analog polyphonic synthesizers of that era while adding extended memory functions, comprehensive MIDI control and a workflow designed for today’s musicians.
Positioned as a characterful analog polyphonic synthesizer, the JN-80 is aimed at both vintage enthusiasts and producers looking for a central instrument for their studio or live setup, capable of covering pads, basses, leads and retro-futuristic sequences.

Who this synthesizer is for

The JN-80 is designed for beginner to advanced musicians who want the warm character of polyphonic analog synthesizers without sacrificing the convenience of modern programming. It excels in synthwave, electro, techno, house, pop and ambient styles, as well as in sound design for film and video game music.
In the studio, its 8 voices and unison/double/poly modes make it a true Swiss Army knife, equally at home with wide pads, massive basses or punchy leads. On stage, its 49-key keyboard with aftertouch, self-returning pitch and modulation wheels, and user memories make it an instrument built for performance.

Technical specifications

Arpeggiator	Yes	Vocoder	No
Sampler	No	Category	Analog synth
Max polyphony	8	Number of keys	49
Velocity sensitive	Yes	Touch	Semi-weighted
MPE compatible	No	Key format	big
Semi-modular	No	Inputs	Expression pedal, Footswitch
Synthesis type	Analog, Subtractive

Synthesizer type	programmable polyphonic analog, 8 voices	Aftertouch	built-in
Model inspiration	1980s Juno-60, modern reproduction	Control wheels	pitch and modulation, spring-loaded
Signal path	fully analog, DCO, 3109 VCF and 662 VCA	Arpeggiator tempo control	manual and external
Oscillators	discrete, sawtooth, square and pulse-width waveforms	Arpeggiator modes	up, down and up-down
Sub-oscillator	one octave below	Chorus	built-in multistage BBD
Noise generator	global	Parameter editing interface	LCD screen with encoder
Filter	24 dB low-pass, discrete 3109 circuit, with resonance	Preset recall switches	assignable
Filter envelope polarity	positive or negative	User memory	400 program locations
Voice modes	unison, dual and poly; 8 VCOs, 4 dual-voice or 8 single-VCO voices	" compare and match " function	matching analog controls to stored values
LFO modulation destinations	pulse width, pitch and filter cutoff	CV/pedal inputs	for expression pedals and footswitches
Portamento	polyphonic, glide across multiple voices	MIDI control	NRPN/CC for all parameters
Keyboard	49 full-size keys, velocity-sensitive	Data management	bulk load/save