Blackmagic Design ATEM Mini Extreme ISO G2
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What you need to know
What you need to know
- Ultra-flexible multicam production: 8 HDMI inputs with standard conversion, 3 HDMI outputs, and a routable Multi View to keep control of your set.
- Professional streaming without a computer: built-in RTMP and SRT streaming via Ethernet or USB-C (Internet sharing), with dual USB-C webcam output.
- ISO recording and accelerated post-production: simultaneous capture of all 8 inputs in H.264, program output, and generation of a DaVinci Resolve project to instantly access your edits.
- Broadcast connectivity and advanced audio: CFexpress, Thunderbolt, 10G Ethernet, and Fairlight audio with XLR, 32-channel MADI, dynamics, and 6-band parametric EQ.
Manufacturer Information
Blackmagic Design
https://www.blackmagicdesign.com
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A Major Evolution of the ATEM Mini Series, Designed for Current Workflows
Designed for compact control rooms, mobile studios, and fast-paced sets, the ATEM Mini Extreme ISO G2 retains the direct ergonomics of the range (dedicated buttons, macros, Multi View monitoring) while stepping up connectivity and deliverable quality. Compared to previous generations, this version notably adds a CFexpress slot, SRT compatibility, dual USB-C webcam outputs, a dedicated 10G Ethernet port for network recording, a Thunderbolt interface for fill and key I/O, and integration of a 32-channel MADI audio input, aligning a compact format with modern broadcast requirements.
Who It's For and Use Cases: Live, Professional Streaming, Events, and Studio Production
This 1 M/E mixer targets creators and technical teams seeking reliable, fast-to-operate multicam production that is consistent from capture to post-production. Talk shows, webinars, conferences, online courses, worship services, esports, or corporate events: the 8 HDMI inputs accept heterogeneous sources thanks to format and frame rate converters, while the configurable Multi View secures operation (program, preview, sources, recording/streaming status, and audio indicators). The internal streaming engine enables going live with a streamlined production chain while maintaining an ISO recording usable in editing.
Key Features: Production Speed, Keying, Audio, and Recording
Production and Keying: "Studio" Quality Output in Seconds
Keying is central to the workflow: four upstream keyers, two downstream keyers, and up to four advanced chroma keyers facilitate green screen productions, even when switching between multiple presenters and graphics. The two DVEs enable picture-in-picture, animated transitions, and dynamic compositions, while SuperSource allows creating clean and readable multi-window layouts. Macros and dedicated controls speed up routines (launching a title, recalling a layout, changing scenes) to stay focused on the show's pace.
Integrated Fairlight Audio: Clean, Intelligible, Broadcast-Ready
The embedded Fairlight engine simplifies microphone and digital source integration: HDMI, XLR, MADI, and Thunderbolt inputs blend within a mixing environment designed for broadcast. Dynamics (compressor, gate, limiter), 6-band parametric EQ, Audio-Follow-Video management, level metering, and precise gain control ensure consistent sound even with variable speakers and multiple sources. The result: clearer live audio, less listener fatigue, and recordings better suited for post-production.
ISO Recording, CFexpress, 10G Network: Post-Production Saves Time
The ATEM Mini Extreme ISO G2 is designed to deliver quickly without sacrificing flexibility: simultaneous recording of all 8 HDMI inputs in mp4 H.264 plus the program output, with switcher data saved as a DaVinci Resolve project file to conform and assemble a clean version in minimal time. Depending on your infrastructure, you can record to CFexpress, USB-C disk, or directly to network storage via 10G Ethernet, securing long shoots, fast-paced sets, and teams needing immediate media sharing.
Technical specifications
| Type | Digital mixing engine | ||
| Total video inputs | 9 | Sampling | 4:2:2 YUV; 10-bit color precision; Rec.709 color space |
| Total outputs | 4 | Computer HDMI resolutions | 1280x720p 50/59.94/60 Hz; 1920x1080p 23.98/24/25/29.97/30/50/59.94/60 Hz; 1920x1080i 50/59.94/60 Hz |
| Total auxiliary outputs | 4 | Color space conversion | real-time hardware encoder |
| SDI rates | 1.5G, 3G | Automatic SDI switching | ? |
| HDMI video inputs | 8 x Type A HDMI, switchable HD 10-bit, 2 embedded audio channels | Number of Mix Effects rows | 1; direct crosspoints: 10; NKK buttons |
| HDMI video outputs | 3 | Transition preview | 1; transition lever: 1 |
| HDMI program outputs | 3 | Source selection bus | configured with multifunction controls and Fairlight audio output status |
| Total audio inputs | 2 x combined XLR with phantom power; 1 x BNC 32-channel digital MADI audio | Dedicated macro buttons | 6 |
| Total audio outputs | 1 x 6.35 mm jack for headphones | Transition type buttons | configured with multifunction controls and Fairlight audio output status |
| Timecode connection | None | Transition duration | configured with multifunction controls and Fairlight audio output status |
| Reference input | None | Keyer buttons | 8; AUX buttons: 6 |
| Video input synchronization | on all 8 HDMI inputs and remote sources | Record buttons | 2; Stream buttons: 2 |
| Frame rate and format converters | on all 8 HDMI inputs and remote sources | DSK transition selectors | 6; Fade To Black button: 1 NKK button |
| Webcam output | 2 x USB-C supporting 720p or 1080p at program frame rate | Upstream keyers | 4; downstream keyers: 2; advanced chroma keyers: up to 4 |
| Number of Multi Views | 1, routable to any of the 3 HDMI outputs, 2 USB-C webcam outputs, or 1 Thunderbolt output | SuperSource | 1; DVEs: 2; linear/luminance keyers: up to 4 |
| Control panel connection | Ethernet, direct or networked connection | Transition keyer (Stinger/DVE) | DVE only |
| Internal timecode generator | Yes | Color generators | 2 |
| Tally output | on Blackmagic HDMI cameras and remotely | Routable windows | 16; tally red program / green preview |
| Ethernet | 1 x 1G for streaming, panels, and Internet; 1 x 10G for recording | Audio mixer | 26 inputs x 2-channel mixer (8 HDMI + 16 MADI + XLR + Thunderbolt) |
| Computer interface | 2 x USB-C 3.1 Gen 1 (disk recording, webcam output, software control, updates, panel connection); 1 x Thunderbolt (fill and key output, video input, Ethernet connection to storage, power) | Fairlight enhancements | compressor, gate, limiter, 6-band parametric EQ, master gain control |
| HD input standards | 720p50/59.94/60; 1080p23.98/24/25/29.97/30/50/59.94/60; 1080i50/59.94/60 | Analog input | combined stereo balanced XLR connectors; delay up to 8 frames; 48 V phantom power |
| HD output standards | 1080p23.98/24/25/29.97/30/50/59.94/60 | Total sources | up to 8 |
| Streaming standards | 1080p23.98/24/25/29.97/30/50/59.94/60 | Format | RTMP/SRT video with audio from compatible Blackmagic Design cameras, HyperDeck qualities High/Medium/ |
Questions frequently asked
Can 8 HDMI cameras be connected for a live concert?
The 8 type A HDMI inputs include format and frame rate conversion. Synchronization is ensured on all 8 HDMI inputs, making it easy to use heterogeneous sources.
Does the ATEM Mini Extreme ISO G2 record each camera separately?
ISO recording simultaneously captures all 8 inputs in MP4 H.264, as well as the program, with switch recording saved in the DaVinci Resolve project format.
What audio connectivity is available for a live switcher?
The Fairlight mixer processes audio sources from HDMI, XLR, MADI, and Thunderbolt. The MADI input accepts 32 channels. A 6.35 mm headphone output allows audio monitoring.
Can the program be streamed to streaming software via USB-C?
Two USB-C webcam outputs can transmit the program at 720p or 1080p at the PGM frame rate. Internal streaming supports 1080p up to 60 frames per second depending on the specified frame rates.
How to view all sources during a multicam capture?
The configurable Multi View can be routed to one of the 3 HDMI outputs, the 2 USB-C webcam outputs, or a Thunderbolt output. It displays program, preview, sources, audio levels, and recording or streaming status among others.



