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GX-100 GUITAR EFFECTS PROCESSOR

GX-100 GUITAR EFFECTS PROCESSOR

Regular price 555,00 €VAT incl.
1,00 € Ecotax included
Sale price
1,00 € Ecotax included
Regular price Reference price

A modern "GT" approach: BOSS AIRD technology in a pedalboard-friendly format

The GX-100 carries the DNA of BOSS performance-oriented processors: modeling designed to preserve the feel under the fingers, consistent dynamic response, and easy integration into very different rigs. The AIRD technology doesn't just mimic an EQ curve; it aims to reproduce the behavior of an amp in a real chain (attack, natural compression, interaction with effects). The result: a multi-effects unit that adjusts quickly but retains real depth when you want to dive into details (IR, parallel routings, dual amp, etc.).

For whom, for which styles, and in what contexts?

The Boss GX-100 targets musicians seeking a compact, robust, and versatile solution: from beginner guitarists looking for ready-to-play sounds to seasoned players building a preset per song with scene changes and assignments. In live settings, the footswitches and "Manual" mode allow you to regain the spirit of a traditional pedalboard (activating/deactivating blocks like pedals). In studio, it becomes a practical partner for USB recording, headphone work, and crafting reproducible tones.

Rock, pop, blues, funk, metal, ambient: the GX-100's strength is chaining very contrasting sounds without changing gear. It can be direct and efficient for precise rhythm parts, yet wide and textured for delay and reverb pads or more cinematic sounds.

Technical specifications

EffectsReverb, Delay, Multi-effects, Chorus / Flanger / Phaser, Compressor, Cabinet Simulator, Distortion, OverdriveUseelectric guitar
FormatPedalboardColorBlack
Typesector
A/D and D/A conversion24-bitPreset memories100
Internal processing32-bit floating pointUser memories200
Sampling rate48 kHzSend/return loopfor external pedals or four-cable method
Modeling technologyAIRDControl connectorremote amp channel switching
Number of amp types23MIDI connectivityIN and OUT
Ultra-versatile amp/effect routingup to 15 assignment blocksComputer recordingmultichannel via USB
Speaker cabinet typesselectableComputer editingBOSS Tone Studio, macOS and Windows
Impulse response loadingWAV formatDual Bluetooth Audio MIDI adapteroptional
Screencolor, touch-sensitivedimensions460 mm x 193 mm x 73 mm
Chassis materialmetalIncluded accessoriesowner’s manual, “Using the Product Safely” brochure
Integrated controlsfootswitches and expression pedal with toe switch, freely assignablePower consumption1200 mA
Connectable external controlstwo footswitches or one expression pedal

Customer reviews

What customers say

Summarized and selected by AI from recent customer reviews

Guitar effects processor praised for "excellent sound quality" and versatility. Customers highlight the touchscreen interface, robust metal construction, and vast sound possibilities. Some note pitch/octaver effects need improvement and there's a learning curve. Shoppers appreciate the value, calling it "impressive" with no noise or hum.

Review highlights

  • “Excellent product with a very rich range of excellent sounds!”
  • “Quality sounds, ergonomic interface, interesting value for money”
  • “You really feel the dynamics, warmth, and response to your playing”

Based on 8 reviews

  • 3 stars, 0 reviews
  • 2 stars, 0 reviews
  • 1 star, 0 reviews

  1. Benoit

    As soon as received as soon as tried. A product of remarkable quality, packed with technology. I owned a few multi-effects, but despite the sales arguments, the sounds sounded rather “chemical”, which earned me a return to basics, Vox ac30 tube amp, and carefully chosen pedals... in short, analog in good shape.

    But now... this boss gx 100, what a slap!! I have not yet taken the time to modify or create my own sounds, I have only gone through the factory presets, and already you can feel a real dynamic, a warmth, a response to his playing.

    The nuances are really felt like on an all-tube amp. In terms of use, without having opened the manual yet, we can easily guess how easy it is for each guitarist to shape the sound as he wants.

    Finally, the connections are very complete, and to be honest, and no pun intended, it's really bad to show up on repeat with just your guitar and your GX 100... yes good OK, you also need jacks... come on... that will be the only black spot... lol...

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  2. Julien

    Very sturdy all-metal multi-effect, very complete with the basic effects. The emulation is good, the effects are very good. Although I am not a fan of distortions in general they are exploitable. The overdrives are very good.
    Only the pitch and octaver are not great and not of super good quality, like many other manufacturers in reality. Refrain from wanting to play chords with this kind of effect because it will quickly become a mess. Too bad.
    The touch screen is a big plus on this multi-effect and is very practical, you can't do without it when you have tried it.
    Very good mentions for the possibility of having parallel routing and being able to assign any parameters of the effects or even several at the same time to the switches. It is very flexible and it effectively replaces the snapshots that are absent from this multi-effect.
    In short for the price I think I did not find better for a turnkey solution.

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  3. M. M.F.

    Initially, I wanted to buy the Line 6 Helix Floor. But considering the price of the beast for a product released in 2015, I quickly fell back on the much cheaper and more modern Boss GX-100 (touchscreen and Bluetooth, with the purchase of an adapter sold separately).
    I am blown away by the sound quality. I have 4 amps (Fender Twin Amp, Fender Twin Amp Reissue 57, Marshall JVM410H and Vox AC15C1 for “at home”). It sounds good on everyone. Even on the small VOX, which does not have an effects loop, as long as you connect the pedalboard to the normal channel. Presets often require readjustments, but what could be more normal. In this regard, getting started does not take place in one evening, or even in a weekend, but once you master the machine, the possibilities seem endless. So: excellent product with a quality/price ratio that is unequalled to date.

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  4. THIERRY d.C.

    A simple device to use with a little bit of habit. A very large number of sound possibilities that are very well made. For the moment I have not yet found MY sound. But I am hopeful.

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  5. Philippe R.

    Impressive. In one week I have not yet explored everything... but it's promising! In addition, regardless of the combination, there is no extraneous noise or breath.

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