Broekmans & Van Poppel B.V. LEDUC A. / REMUSAT J. - LA CENERENTOLA - FLUTE & PIANO
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Broekmans & Van Poppel B.V.
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Summary of This Score
La Cenerentola
Elegant Fantasy on a Theme by Rossini
Partitur und Stimmen - P+St - Flute and Piano
General Editor: Reede, Rien de
Composer: Remusat, Jean
Composer: Leduc, Alphonse
Publisher: Broekman van Poppel
This elegant fantasy based on "La Cenerentola" offers a concertante interpretation designed for flute and piano. The flute plays a soloist role, often with a vocal and ornamented style, while the piano provides both harmonic foundation and musical responses that enhance the theatrical character of the piece. The thematic material, borrowed from Rossini's universe, lends itself particularly well to variations, dynamic contrasts, and changes of atmosphere, offering a rich ground to work on phrasing, articulation, and breathing.
Thanks to the score + parts format, you have a clear resource to organize rehearsals: setting balances, choosing tempi, working on transitions, and precision of attacks. This score is intended for flutists and pianists seeking a repertoire piece that is both appealing to the audience and educational musically, with a writing that emphasizes sonority, elegance, and stage presence.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Jean Remusat; Alphonse Leduc | Instrumentation | Flute and Piano |
| Edition | Broekman van Poppel | Genre | Fantasy (classical score) |
Questions frequently asked
Is Remusat's La Cenerentola written for flute and piano?
The indicated instrumentation is flute and piano. The flute carries the solo line, while the piano provides harmonic support and musical responses.
Does the collection include the separate flute part?
The advertised format is "score + part" (P+St). It therefore includes the piano score and the part intended for flute.
What is the musical style of this fantasy on La Cenerentola?
The work is an elegant fantasy on a theme by Rossini, classified in the classical repertoire. The writing highlights variations and dynamic contrasts. The theatrical character of La Cenerentola's material structures the changes in atmosphere.
Is La Cenerentola Leduc / Remusat suitable for working on phrasing on the flute?
The flute playing is presented as vocal and ornamented, which requires phrasing, articulation, and breathing.
Which edition and composers are indicated?
The edition is published by Broekman van Poppel. The credited composers are Jean Remusat and Alphonse Leduc, under the general editorial direction of Rien de Reede.



