C.F. Martin & Co D-18
Estimated Shipping Widget will be displayed here!
- This item is covered for 3 years
Couldn't load pickup availability
Information
Information
Manufacturer Information
Martin Guitar
https://www.martinguitar.com
customerservice@martinguitar.com
------------------------
Safety manager:
Algam SAS
Email: contact@algam.net
Address:
A Historic Dreadnought, Between Martin Tradition and Current Demands
Introduced in its current form in 1934, the Martin D-18 has become an essential benchmark in the world of dreadnoughts with mahogany back and sides. While a D-28 is often perceived as more "refined," the D-18 appeals with a more sober, straightforward tone, featuring that warm and woody personality that has accompanied generations of guitarists. The 2012 redesign retains vintage markers (style 18 aesthetics, butterbean tuners, pre-war style bracing) while offering a playability better suited to contemporary playing habits.For Which Guitarists and Styles?
The D-18 is aimed equally at the intermediate musician seeking a "definitive" acoustic and the advanced guitarist who wants a reliable dreadnought for both studio and stage. Its dreadnought format and strong projection make it a natural ally in bluegrass, country, folk, and pick-style accompaniment, while remaining surprisingly expressive in fingerstyle playing when nuance is preferred over showmanship.Sound
The combination of a solid Sitka spruce top and solid mahogany back/sides defines the D-18's signature: a clear attack, lively midrange, and natural warmth that maintains clarity in the mix. The standard forward shifted and scalloped X bracing allows the top to vibrate more freely, enhancing projection and delivering the "cannon-like" quality often cited by guitarists. In strumming, chords remain articulated with firm lows; in picking, the response is quick, with balanced sustain and the woody tone typical of mahogany dreadnoughts.Technical specifications
| Category | Steel String Shaped Body | Marker | Old Style 18 |
| Format | Dreadnought | Nbrs of frets | 20 |
| Left handed | No | Scale (mm) | 645 mm |
| Cutaway | No | Tuning pegs | Open, nickel finish, Butterbean buttons |
| Strings | Steel | Bridge | Ebony |
| Nbr of strings | 6 | Nut | Bone |
| Top | Sitka Spruce | Original Strings | MA550T |
| Back&Sides | Mahogany | Cover/case | Case |
| Bracing | X | Neck Type | Glued |
| Nets | Boltaron | Electroacoustic | No |
| Neck | Selected wood | Color | Natural |
| Neck format | Modified low oval | Finishing | Glossy |
| Nut Width | 44.4 mm | Hardware | Nickel |
| Fingerboard | Ebony | ||
| Finish | Vintage gloss | Top bracing | solid Sitka spruce 7.94 mm |
| Back & sides | solid mahogany | Body/neck joint | glued, dovetail joint |
| Purfling | tortoise | Neck shape | Modified low oval |
| Binding | Boltaron | Neck finish | satin gloss |
| Top binding | black/white Boltaron | Headstock | East Indian rosewood |
| Heel cap | tortoise | Scale length | 25.4" / 645 mm |
| Rosette | style 18 | Fingerboard width at 12th fret | 54 mm / 2.13" |
| Pickguard | Delmar tortoise | String spacing at bridge | 55.5 mm / 2.19" |
| Back strip inlay | style 18 | Number of strings | 6 |
| Side joint | Delmar tortoise | Number of frets | 20 |
| Back & sides finish | polished gloss | Nuts | bone |
| Top bracing type | standard forward shifted, scalloped X | Inlays | Old Style 18 |



