Chester Music L'Histoire De Babar
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Chester Music
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Summary of This Score
This collection honors the universe of Francis Poulenc through a version designed for piano four hands and narrator. The "music and narration" format opens up a particularly rich playground: the music supports the text, the text illuminates the musical intention, and the whole becomes a true small-scale performance. For pianists, it is an excellent opportunity to work on mutual listening, shared breathing, and precision of attacks, all essential in a duo.
Thanks to the four-hand writing, the score allows exploration of a broader sound palette than solo, with dialogues between registers, texture effects, and character changes that make the interpretation very lively. The presence of a narrator also encourages work on ensemble coordination (entries, transitions, tempos) and projection (dynamics, articulation, contrasts), particularly useful for developing ensemble musician reflexes. At the intermediate level, this score is suitable both for an established duo and for two students guided in piano class, chamber music, or a multidisciplinary project involving diction and theater.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Francis Poulenc | Difficulty | Intermediate |
| Arranger | Paul Yeon Lee | Pages | 48 |
| Instrumentation | Piano four hands and narrator | Year of publication | 2014 |
Questions frequently asked
What instrumentation is planned for L'Histoire de Babar by Chester Music?
The score is written for piano four hands and narrator. Two pianists thus share the same keyboard, with a spoken part integrated into the performance.
What is the difficulty level of this Poulenc score?
The indicated level is intermediate. The writing notably requires precise mutual listening and good coordination of entries between the two pianists.
Is the narrator's part necessary?
The narration is part of the announced instrumentation and supports the connection between the text and the music. It involves joint work on transitions, tempos, and diction.
Is this edition suitable for piano duo work?
Paul Yeon Lee’s arrangement exploits the possibilities of piano four hands, notably register dialogues and textures. The 48 pages allow addressing common breathing, attacks, and dynamic contrasts.
From what year is this Francis Poulenc score?
This edition was published in 2014.
